Hamlet Translation

HamletAct 4, Scene 5

original text and modern English, side by side

Elsinore. A room in the Castle · Queen, Gentleman, Ophelia, King, Laertes, Danes

Ophelia, driven mad by her father's death and Hamlet's disappearance, is let in to see Gertrude and Claudius, and sings broken songs about a dead man and a girl seduced and abandoned. Claudius tells Gertrude that sorrows are arriving in battalions — and then Laertes smashes through the palace doors at the head of a mob that wants him crowned king, demanding to know how Polonius died and swearing he will damn himself to get revenge. Ophelia returns handing out flowers, each with its own meaning, before Claudius persuades Laertes to let him prove his innocence.

Enter Queen, Horatio and a Gentleman.

Queen

I will not speak with her.

I won't see her.

Gentleman

She is importunate, indeed distract.

She won't take no for an answer, and she really has lost her mind.

Her mood will needs be pitied.

You have to feel sorry for her.

Queen

What would she have?

What does she want?

Gentleman

She speaks much of her father;

She talks constantly about her father.

says she hears

There’s tricks i’ th’ world, and hems, and beats her heart,

Spurns enviously at straws,

She says the world is full of trickery, she groans, she beats at her chest, she takes offense at nothing at all.

speaks things in doubt,

That carry but half sense. Her speech is nothing,

What she says is half-nonsense — it doesn't add up to anything.

Yet the unshaped use of it doth move

The hearers to collection;

But the very shapelessness of it makes people listen and start piecing it together.

they aim at it,

And botch the words up fit to their own thoughts,

They guess, and they patch her words into whatever they already suspect.

Which, as her winks, and nods, and gestures yield them,

Indeed would make one think there might be thought,

Though nothing sure, yet much unhappily.

Add her winks and nods and gestures, and you'd think there was some meaning in it — nothing definite, but something bad.

’Twere good she were spoken with, for she may strew

Dangerous conjectures in ill-breeding minds.

She ought to be talked to, because she could plant dangerous ideas in minds that are already looking for trouble.

Queen

Let her come in.

Let her in.

Exit Gentleman.

Queen

To my sick soul, as sin’s true nature is,

Each toy seems prologue to some great amiss.

To a soul as sick as mine, guilt being what it is, every little thing looks like the opening act of some disaster.

So full of artless jealousy is guilt,

It spills itself in fearing to be spilt.

Guilt is so clumsily suspicious that it gives itself away by trying not to.

Enter Ophelia.

Ophelia

Where is the beauteous Majesty of Denmark?

Where is the lovely Queen of Denmark?

Queen

How now, Ophelia?

What is it, Ophelia?

Sings.

Ophelia

How should I your true love know

[She sings.] How can I tell your true love

From another one?

from any other man?

By his cockle hat and staff

By his pilgrim's hat and walking staff

And his sandal shoon.

and the sandals on his feet.

Queen

Alas, sweet lady, what imports this song?

Poor girl, what does this song mean?

Ophelia

Say you?

What's that?

Nay, pray you mark.

No, listen.

Sings.

Ophelia

He is dead and gone, lady,

He's dead and gone, my lady,

He is dead and gone,

he's dead and gone.

At his head a grass green turf,

Green grass above his head,

At his heels a stone.

and at his feet a stone.

Queen

Nay, but Ophelia—

Ophelia, please —

Ophelia

Pray you mark.

Listen, please.

Sings.

Ophelia

White his shroud as the mountain snow.

His shroud was white as snow on a mountain —

Enter King.

Queen

Alas, look here, my lord!

Look at her, my lord!

Sings.

Ophelia

Larded all with sweet flowers;

covered over with sweet flowers,

Which bewept to the grave did not go

which went down to the grave unwept,

With true-love showers.

with no loving tears at all.

King

How do you, pretty lady?

How are you, sweet girl?

Ophelia

Well, God dild you!

Well enough, God reward you.

They say the owl was a baker’s daughter.

They say the owl used to be a baker's daughter.

Lord, we

know what we are, but know not what we may be.

Lord, we know what we are now, but not what we'll turn into.

God be at your table!

God bless your dinner.

King

Conceit upon her father.

She's brooding on her father.

Ophelia

Pray you, let’s have no words of this;

Please, let's not argue about it.

but when they ask you what it

means, say you this:

But when people ask you what it means, tell them this:

Sings.

Ophelia

Tomorrow is Saint Valentine’s day,

Tomorrow is Valentine's Day,

All in the morning betime,

and early in the morning

And I a maid at your window,

I'll be a girl at your window

To be your Valentine.

to be your Valentine.

Then up he rose and donn’d his clothes,

So he got up and put his clothes on

And dupp’d the chamber door,

and unlatched the bedroom door,

Let in the maid, that out a maid

and let the girl in — and she never

Never departed more.

left a girl any more.

King

Pretty Ophelia!

Poor Ophelia!

Ophelia

Indeed la, without an oath, I’ll make an end on’t.

Honestly, I'll finish it without swearing about it.

Sings.

Ophelia

By Gis and by Saint Charity,

By Jesus and by holy Charity,

Alack, and fie for shame!

what a shame, for shame!

Young men will do’t if they come to’t;

Young men will do it if they get the chance —

By Cock, they are to blame.

by God, it's their fault.

Quoth she, before you tumbled me,

She said: before you took me to bed

You promis’d me to wed.

you promised you would marry me.

So would I ha’ done, by yonder sun,

And he answers: I meant to, by that sun up there,

An thou hadst not come to my bed.

if you hadn't come to my bed first.

King

How long hath she been thus?

How long has she been like this?

Ophelia

I hope all will be well.

I'm sure it will all come right.

We must be patient.

We have to be patient.

But I cannot choose but

weep, to think they would lay him i’ th’ cold ground.

But I can't help crying when I think of them putting him down in the cold ground.

My brother shall

know of it.

My brother will hear about it.

And so I thank you for your good counsel.

And so, thank you for your kind advice.

Come, my coach!

Bring my carriage!

Good night, ladies;

Good night, ladies.

good night, sweet ladies;

Good night, sweet ladies.

good night, good night.

Good night, good night.

Exit.

King

Follow her close;

Stay close to her.

give her good watch, I pray you.

Keep a careful watch on her, please.

Exit Horatio.

King

O, this is the poison of deep grief; it springs

All from her father’s death.

This is what deep grief does to a person — it all comes from her father's death.

O Gertrude, Gertrude,

When sorrows come, they come not single spies,

But in battalions.

Oh, Gertrude, Gertrude, when troubles come, they don't come as single scouts, they come as whole armies.

First, her father slain;

First her father is killed.

Next, your son gone; and he most violent author

Of his own just remove;

Then your son is gone — and he brought that banishment on himself, violently and deservedly.

the people muddied,

Thick, and unwholesome in their thoughts and whispers

For good Polonius’ death; and we have done but greenly

In hugger-mugger to inter him.

The people are stirred up, muddy and unhealthy in what they think and whisper about Polonius's death — and we handled it badly, burying him in a hurry and in secret.

Poor Ophelia

Divided from herself and her fair judgement,

Without the which we are pictures or mere beasts.

Poor Ophelia is cut off from herself and from her own good sense, without which we're no better than paintings or animals.

Last, and as much containing as all these,

Her brother is in secret come from France,

Feeds on his wonder, keeps himself in clouds,

And wants not buzzers to infect his ear

With pestilent speeches of his father’s death,

And last, and as heavy as all the rest put together: her brother has come back from France in secret, brooding on all this, keeping himself hidden, and there's no shortage of gossips to poison his ear with stories about his father's death.

Wherein necessity, of matter beggar’d,

Will nothing stick our person to arraign

In ear and ear.

Those stories, having no real facts to work with, won't hesitate to accuse me personally, whispering it from one ear to the next.

O my dear Gertrude, this,

Like to a murdering piece, in many places

Gives me superfluous death.

Oh, my dear Gertrude, all this is like a scattershot cannon — it kills me over and over in a dozen places at once.

A noise within.

Queen

Alack, what noise is this?

God, what's that noise?

King

Where are my Switzers?

Where are my Swiss guards?

Let them guard the door.

Have them guard the door.

Enter a Gentleman.

King

What is the matter?

What's happening?

Gentleman

Save yourself, my lord.

Save yourself, my lord.

The ocean, overpeering of his list,

Eats not the flats with more impetuous haste

Than young Laertes, in a riotous head,

O’erbears your offices.

The ocean bursting past its shoreline doesn't swallow the flats any faster than young Laertes and his mob are sweeping your officers aside.

The rabble call him lord,

The rabble are calling him lord.

And, as the world were now but to begin,

Antiquity forgot, custom not known,

The ratifiers and props of every word,

They cry ‘Choose we! Laertes shall be king!’

As if the world were starting over from scratch — history forgotten, tradition unheard of, the things that make any word mean anything — they're shouting, "We choose! Laertes will be king!"

Caps, hands, and tongues applaud it to the clouds,

‘Laertes shall be king, Laertes king.’

Caps in the air, clapping, cheering to the sky: "Laertes will be king, King Laertes!"

Queen

How cheerfully on the false trail they cry.

How happily they bay after the wrong scent.

O, this is counter, you false Danish dogs.

You're chasing it backwards, you treacherous Danish dogs.

A noise within.

King

The doors are broke.

They've broken the doors down.

Enter Laertes, armed; Danes following.

Laertes

Where is this king?

Where is the king?

Sirs, stand you all without.

Danes.

No, let’s come in.

— The rest of you, stay outside.

Laertes

I pray you, give me leave.

Please, let me handle this.

Danes

We will, we will.

We will, we will.

They retire without the door.

Laertes

I thank you.

Thank you.

Keep the door.

Guard the door.

O thou vile king,

Give me my father.

— You vile king, give me back my father.

Queen

Calmly, good Laertes.

Calm down, Laertes.

Laertes

That drop of blood that’s calm proclaims me bastard;

Cries cuckold to my father, brands the harlot

Even here between the chaste unsmirched brow

Of my true mother.

One calm drop of blood in me would mean I'm a bastard; it would call my father a cuckold and stamp "whore" on my mother's forehead, right here between her clean and honest eyes.

King

What is the cause, Laertes,

That thy rebellion looks so giant-like?—

Laertes, why has your rebellion swollen to this size?

Let him go, Gertrude.

— Let go of him, Gertrude.

Do not fear our person.

Don't be afraid for me.

There’s such divinity doth hedge a king,

That treason can but peep to what it would,

Acts little of his will.—

A king is fenced round with so much divine protection that treason can only glance at what it wants and never gets to do it.

Tell me, Laertes,

Why thou art thus incens’d.—

— Tell me, Laertes, why you're so enraged.

Let him go, Gertrude:—

— Let go of him, Gertrude.

Speak, man.

— Speak, man.

Laertes

Where is my father?

Where is my father?

King

Dead.

Dead.

Queen

But not by him.

But not killed by him.

King

Let him demand his fill.

Let him ask whatever he likes.

Laertes

How came he dead?

How did he die?

I’ll not be juggled with.

I won't be played with.

To hell, allegiance!

To hell with loyalty!

Vows, to the blackest devil!

Conscience and grace, to the profoundest pit!

Let my oaths go to the blackest devil, conscience and grace down to the deepest pit!

I dare damnation.

I'll risk damnation.

To this point I stand,

That both the worlds, I give to negligence,

Let come what comes; only I’ll be reveng’d

Most throughly for my father.

This is where I stand: I don't care about this world or the next, whatever happens happens — I only want to be revenged, completely, for my father.

King

Who shall stay you?

And who's going to stop you?

Laertes

My will, not all the world.

My own will — nothing else on earth.

And for my means, I’ll husband them so well,

They shall go far with little.

And I'll manage what little I have so carefully that it will go a long way.

King

Good Laertes,

If you desire to know the certainty

Of your dear father’s death,

Good Laertes, if what you want is the truth about your father's death,

is’t writ in your revenge

That, sweepstake, you will draw both friend and foe,

Winner and loser?

does your revenge require that you sweep the whole table — friend and enemy, guilty and innocent, all together?

Laertes

None but his enemies.

Only his enemies.

King

Will you know them then?

Do you want to know who they are, then?

Laertes

To his good friends thus wide I’ll ope my arms;

To his real friends I'll open my arms this wide —

And, like the kind life-rendering pelican,

Repast them with my blood.

and like the pelican that feeds its young with its own blood, I'll give them mine.

King

Why, now you speak

Like a good child and a true gentleman.

Now you're talking like a good son and a true gentleman.

That I am guiltless of your father’s death,

And am most sensibly in grief for it,

It shall as level to your judgement ’pear

As day does to your eye.

That I had nothing to do with your father's death, and that I grieve for it deeply, will be as plain to your judgment as daylight is to your eye.

Within.

Danes

Let her come in.

[Offstage.] Let her come in.

Laertes

How now!

What now?

What noise is that?

What's that noise?

Re-enter Ophelia, fantastically dressed with straws and flowers.

Laertes

O heat, dry up my brains.

Heat, dry up my brain.

Tears seven times salt,

Burn out the sense and virtue of mine eye.

Tears seven times as salty, burn out my eyes and their power to see.

By heaven, thy madness shall be paid by weight,

Till our scale turn the beam.

By heaven, I will make them pay for your madness ounce for ounce until our side of the scale slams down.

O rose of May!

Oh, rose of May!

Dear maid, kind sister, sweet Ophelia!

Dear girl, kind sister, sweet Ophelia!

O heavens, is’t possible a young maid’s wits

Should be as mortal as an old man’s life?

God, is it possible a young girl's mind can die as easily as an old man's body?

Nature is fine in love, and where ’tis fine,

It sends some precious instance of itself

After the thing it loves.

Love makes us delicate, and where love is that fine, it sends some precious part of itself after the person it loves.

Sings.

Ophelia

They bore him barefac’d on the bier,

[She sings.] They carried him with his face uncovered on the bier,

Hey non nonny, nonny, hey nonny

hey non nonny, nonny, hey nonny,

And on his grave rain’d many a tear.—

and many tears rained down on his grave. —

Fare you well, my dove!

Goodbye, my sweetheart.

Laertes

Hadst thou thy wits, and didst persuade revenge,

It could not move thus.

If you had your wits and were begging me to take revenge, it couldn't move me more than this.

Ophelia

You must sing ‘Down a-down, and you call him a-down-a.’

You have to sing "down a-down" — and you call to him, "a-down-a."

O, how the

wheel becomes it!

Oh, how well the refrain fits!

It is the false steward that stole his master’s

daughter.

It's about the dishonest steward who stole his master's daughter.

Laertes

This nothing’s more than matter.

This nonsense means more than sense would.

Ophelia

There’s rosemary, that’s for remembrance;

Here's rosemary — that's for remembering.

pray love, remember.

Please, love, remember.

And

there is pansies, that’s for thoughts.

And here are pansies, for thoughts.

Laertes

A document in madness, thoughts and remembrance fitted.

Even her madness is teaching us something — thoughts and remembrance, matched to the right flowers.

Ophelia

There’s fennel for you, and columbines.

Here's fennel for you, and columbines.

There’s rue for you; and here’s

some for me. We may call it herb of grace o’ Sundays.

Here's rue for you, and some for me — we can call it the herb of grace on Sundays.

O you must wear

your rue with a difference.

You have to wear your rue differently from mine.

There’s a daisy.

And here's a daisy.

I would give you some

violets, but they wither’d all when my father died.

I'd give you violets, but they all withered when my father died.

They say he made a

good end.

They say he made a good end.

Sings.

Ophelia

For bonny sweet Robin is all my joy.

Because bonny sweet Robin is all my joy.

Laertes

Thought and affliction, passion, hell itself

She turns to favour and to prettiness.

Grief, suffering, rage, hell itself — she turns it all into something graceful and pretty.

Sings.

Ophelia

And will he not come again?

[She sings.] And will he not come back again?

And will he not come again?

And will he not come back again?

No, no, he is dead,

No, no, he is dead,

Go to thy death-bed,

go down to your deathbed,

He never will come again.

he is never coming back again.

His beard was as white as snow,

His beard was as white as snow,

All flaxen was his poll.

his hair was pale as flax.

He is gone, he is gone,

He is gone, he is gone,

And we cast away moan.

and we throw our grief away.

God ha’ mercy on his soul.

God have mercy on his soul.

And of all Christian souls, I pray God.

And on all Christian souls, I pray to God.

God b’ wi’ ye.

God be with you.

Exit.

Laertes

Do you see this, O God?

God, do you see this?

King

Laertes, I must commune with your grief,

Or you deny me right.

Laertes, let me share your grief, or you're denying me what I'm owed.

Go but apart,

Make choice of whom your wisest friends you will,

And they shall hear and judge ’twixt you and me.

Go apart with whichever of your wisest friends you choose, and let them hear us both out and judge between us.

If by direct or by collateral hand

They find us touch’d, we will our kingdom give,

Our crown, our life, and all that we call ours

To you in satisfaction;

If they find I had any part in it, directly or indirectly, I'll hand over my kingdom, my crown, my life, and everything I call mine to you as payment.

but if not,

Be you content to lend your patience to us,

And we shall jointly labour with your soul

To give it due content.

But if they don't, then be willing to lend me your patience, and I'll work alongside you to give your soul the satisfaction it deserves.

Laertes

Let this be so;

Agreed.

His means of death, his obscure burial,—

No trophy, sword, nor hatchment o’er his bones,

No noble rite, nor formal ostentation,—

Cry to be heard, as ’twere from heaven to earth,

That I must call’t in question.

But the way he died, the hole-in-the-corner burial — no memorial, no sword laid on him, no coat of arms above his bones, no proper rites, no public ceremony — all of it cries out, loud enough to be heard from heaven to earth, that I have to demand an answer.

King

So you shall.

And you shall have one.

And where th’offence is let the great axe fall.

And let the executioner's axe fall wherever the guilt lies.

I pray you go with me.

Please, come with me.

Exeunt.

Hamlet Act 4, Scene 5 summary

Ophelia, driven mad by her father's death and Hamlet's disappearance, is let in to see Gertrude and Claudius, and sings broken songs about a dead man and a girl seduced and abandoned. Claudius tells Gertrude that sorrows are arriving in battalions — and then Laertes smashes through the palace doors at the head of a mob that wants him crowned king, demanding to know how Polonius died and swearing he will damn himself to get revenge. Ophelia returns handing out flowers, each with its own meaning, before Claudius persuades Laertes to let him prove his innocence.

Who appears in this scene

Queen, Gentleman, Ophelia, King, Laertes, Danes — Elsinore. A room in the Castle.

Famous lines in Hamlet Act 4, Scene 5, explained

Lord, we / know what we are, but know not what we may be. (line 42)
Ophelia has just repeated a folk tale in which a baker's daughter is turned into an owl for being stingy with bread, and this line is the moral she draws from it: any of us can be transformed into something unrecognisable without warning. Coming from a girl who has already been transformed by grief, it is the sanest thing anyone says in the scene, which is exactly the point — Shakespeare gives his mad characters the truths the sane ones cannot afford to say. It also quietly warns the audience about everyone else in the play, all of whom are about to become something they did not expect.
When sorrows come, they come not single spies, / But in battalions. (line 73)
Claudius means that misfortunes do not arrive one at a time like scouts sent ahead — they arrive all at once like an invading army. He then counts them off: Polonius dead, Hamlet exiled, the people muttering, Ophelia mad, and Laertes back from France looking for someone to blame. The irony is that he is listing the consequences of his own murder as though they were bad luck happening to him, and the line has survived as the standard English way of saying that trouble never comes alone.
To hell, allegiance! Vows, to the blackest devil! / Conscience and grace, to the profoundest pit! / I dare damnation. (line 134)
Laertes throws away loyalty to his king, his religious vows, his conscience and his hope of heaven, all in three lines, and says he will risk eternal punishment to avenge his father. He is deliberately built as Hamlet's mirror image: given the same situation — a murdered father — he needs about thirty seconds to decide, where Hamlet has needed four acts. Shakespeare is not simply praising him for it; Laertes's speed is what makes him easy for Claudius to aim, and it kills him.
There’s rosemary, that’s for remembrance; pray love, remember. And / there is pansies, that’s for thoughts. (line 182)
Elizabethan audiences read flowers as a code, and Ophelia is handing out a coded accusation. Rosemary was carried at both weddings and funerals and meant remembrance; pansies (from the French pensées, thoughts) meant thinking of someone. Most productions give these two to Laertes, so that she is asking her brother to remember their father — and possibly her. The scene's power comes from the fact that she may be making perfect sense in a language nobody on stage is willing to read.
There’s fennel for you, and columbines. There’s rue for you; and here’s / some for me. We may call it herb of grace o’ Sundays. O you must wear / your rue with a difference. (line 185)
The code continues, and it turns sharp. Fennel meant flattery and columbine meant marital infidelity, and these are usually given to Claudius. Rue meant both sorrow and repentance — she keeps some for herself and gives some to Gertrude, adding that the Queen must wear hers "with a difference," a term from heraldry meaning a mark added to distinguish one branch of a family from another: their reasons for regret are not the same. Ophelia then says she would give violets, which meant faithfulness, but they all died with her father — there is no loyalty left in this court to hand out.

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About this translation: the original text follows the public-domain Project Gutenberg Globe edition; the modern English translation was written in-house for Polytranslator and is reviewed on an ongoing basis (last revised August 2026). Free to print and photocopy for classroom use. Cite as: “Hamlet, Act 4, Scene 5. Polytranslator side-by-side translation, polytranslator.com/shakespeare/hamlet/act-4-scene-5.”

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