A Midsummer Night's Dream Translation
A Midsummer Night's Dream — Act 1, Scene 1
original text and modern English, side by side
Athens. A room in the Palace of Theseus · Theseus, Hippolyta, Egeus, Hermia, Demetrius, Lysander, Helena
Duke Theseus is preparing to marry Hippolyta when Egeus interrupts to demand that his daughter Hermia marry Demetrius, invoking an Athenian law that lets him have her executed if she refuses. Hermia loves Lysander, and Theseus gives her until the new moon to obey, enter a convent, or die. Left alone, Hermia and Lysander plan to elope through the wood outside Athens, and Hermia's friend Helena — hopelessly in love with Demetrius — decides to betray the plan to him in the hope of winning his gratitude.
Enter Theseus, Hippolyta, Philostrate and Attendants.
Theseus
Now, fair Hippolyta, our nuptial hour
Draws on apace;
Beautiful Hippolyta, our wedding day is nearly here.
four happy days bring in
Another moon;
Four more happy days and there'll be a new moon
but oh, methinks, how slow
This old moon wanes! She lingers my desires,
Like to a step-dame or a dowager,
Long withering out a young man’s revenue.
— but this old moon is taking forever to fade, and it's holding my desires back like a stepmother or a widow slowly draining a young man's inheritance.
Hippolyta
Four days will quickly steep themselves in night;
Four days will sink quickly into night;
Four nights will quickly dream away the time;
four nights will dream the time away.
And then the moon, like to a silver bow
New bent in heaven, shall behold the night
Of our solemnities.
And then the moon, curved fresh in the sky like a silver bow, will look down on the night of our wedding.
Theseus
Go, Philostrate,
Go, Philostrate.
Stir up the Athenian youth to merriments;
Get the young people of Athens in the mood to celebrate.
Awake the pert and nimble spirit of mirth;
Wake up the quick, lively spirit of fun.
Turn melancholy forth to funerals;
The pale companion is not for our pomp.
Send gloom off to funerals where it belongs — that pale companion has no place at our festivities.
Exit Philostrate.
Theseus
Hippolyta, I woo’d thee with my sword,
And won thy love doing thee injuries;
Hippolyta, I courted you with a sword and won your love by hurting you.
But I will wed thee in another key,
With pomp, with triumph, and with revelling.
But I'll marry you in a different key altogether: with ceremony, celebration, and revelry.
Enter Egeus, Hermia, Lysander and Demetrius.
Egeus
Happy be Theseus, our renownèd Duke!
Long live Theseus, our famous Duke!
Theseus
Thanks, good Egeus.
Thank you, good Egeus.
What’s the news with thee?
What's your news?
Egeus
Full of vexation come I, with complaint
Against my child, my daughter Hermia.
I come full of frustration, to make a complaint against my own child, my daughter Hermia.
Stand forth, Demetrius.
Step forward, Demetrius.
My noble lord,
This man hath my consent to marry her.
My lord, this man has my permission to marry her.
Stand forth, Lysander.
Step forward, Lysander.
And, my gracious Duke,
This man hath bewitch’d the bosom of my child.
And, my gracious Duke, this man has cast a spell on my child's heart.
Thou, thou, Lysander, thou hast given her rhymes,
And interchang’d love-tokens with my child.
You, you, Lysander — you've given her poems, exchanged love-tokens with my child.
Thou hast by moonlight at her window sung,
With feigning voice, verses of feigning love;
You've stood under her window in the moonlight and sung her fake love songs in a fake voice.
And stol’n the impression of her fantasy
With bracelets of thy hair, rings, gauds, conceits,
Knacks, trifles, nosegays, sweetmeats (messengers
Of strong prevailment in unharden’d youth)
You've stamped your image on her imagination with bracelets made of your hair, rings, ornaments, trinkets, knick-knacks, little gifts, flowers, sweets — all of them powerful persuaders with a girl too young to resist.
With cunning hast thou filch’d my daughter’s heart,
Turn’d her obedience (which is due to me)
To stubborn harshness.
You've used cunning to steal my daughter's heart and turned the obedience she owes me into stubborn defiance.
And, my gracious Duke,
Be it so she will not here before your grace
Consent to marry with Demetrius,
I beg the ancient privilege of Athens:
As she is mine I may dispose of her;
And so, my gracious Duke, if she refuses right here in front of you to agree to marry Demetrius, I claim the ancient right of every Athenian father: she is my property and I can dispose of her as I choose.
Which shall be either to this gentleman
Or to her death, according to our law
Immediately provided in that case.
Which means either this gentleman — or her death, exactly as our law provides in such cases.
Theseus
What say you, Hermia?
What do you say to that, Hermia?
Be advis’d, fair maid.
Think carefully, young lady.
To you your father should be as a god;
To you, your father should be like a god.
One that compos’d your beauties, yea, and one
He is the one who made your beauty.
To whom you are but as a form in wax
By him imprinted, and within his power
To leave the figure, or disfigure it.
To him you are nothing but a shape stamped in wax, and it's in his power to leave the impression as it is or wipe it out.
Demetrius is a worthy gentleman.
Demetrius is a worthy gentleman.
Hermia
So is Lysander.
So is Lysander.
Theseus
In himself he is.
In his own right, yes.
But in this kind, wanting your father’s voice,
The other must be held the worthier.
But in this particular case, since he lacks your father's approval, the other man has to be counted the better match.
Hermia
I would my father look’d but with my eyes.
I wish my father could see with my eyes.
Theseus
Rather your eyes must with his judgment look.
No — your eyes must learn to see with his judgment.
Hermia
I do entreat your Grace to pardon me.
I beg your Grace to forgive me.
I know not by what power I am made bold,
Nor how it may concern my modesty
In such a presence here to plead my thoughts:
I don't know what makes me bold enough for this, or whether it's proper for a girl to argue her case in a place like this.
But I beseech your Grace that I may know
The worst that may befall me in this case,
If I refuse to wed Demetrius.
But I beg your Grace to tell me the worst that can happen to me if I refuse to marry Demetrius.
Theseus
Either to die the death, or to abjure
For ever the society of men.
Either execution, or giving up the company of men forever.
Therefore, fair Hermia, question your desires,
So, lovely Hermia, question what you want.
Know of your youth, examine well your blood,
Consider how young you are, examine your own blood.
Whether, if you yield not to your father’s choice,
You can endure the livery of a nun,
For aye to be in shady cloister mew’d,
To live a barren sister all your life,
Chanting faint hymns to the cold fruitless moon.
Ask yourself whether, if you refuse your father's choice, you could bear a nun's habit — shut away in a shadowy convent for the rest of your life, living as a childless sister, singing thin hymns to a cold, barren moon.
Thrice-blessèd they that master so their blood
To undergo such maiden pilgrimage,
Women who can master their desires that way are three times blessed.
But earthlier happy is the rose distill’d
Than that which, withering on the virgin thorn,
Grows, lives, and dies, in single blessedness.
But in earthly terms, the rose that is picked and distilled into perfume is happier than the one that withers on its virgin stem, growing and living and dying alone.
Hermia
So will I grow, so live, so die, my lord,
Ere I will yield my virgin patent up
Unto his lordship, whose unwishèd yoke
My soul consents not to give sovereignty.
Then I'll grow, live, and die that way, my lord, before I'll surrender my virginity to a man whose authority over me my soul refuses to accept.
Theseus
Take time to pause;
Take some time to think it over.
and by the next new moon
The sealing-day betwixt my love and me
For everlasting bond of fellowship,
Upon that day either prepare to die
For disobedience to your father’s will,
Or else to wed Demetrius, as he would,
Or on Diana’s altar to protest
For aye austerity and single life.
By the next new moon — the day my love and I are joined in a lifelong bond — on that day you'll either prepare to die for disobeying your father, or marry Demetrius as he wants, or swear at Diana's altar to a life of permanent celibacy and self-denial.
Demetrius
Relent, sweet Hermia;
Give in, sweet Hermia.
and, Lysander, yield
Thy crazèd title to my certain right.
And Lysander, drop your ridiculous claim; the right is mine.
Lysander
You have her father’s love, Demetrius.
You have her father's love, Demetrius.
Let me have Hermia’s.
Let me have Hermia's.
Do you marry him.
Why don't you marry him instead?
Egeus
Scornful Lysander, true, he hath my love;
And what is mine my love shall render him;
Sneer if you like, Lysander — yes, he does have my love, and everything of mine my love gives to him.
And she is mine, and all my right of her
I do estate unto Demetrius.
She is mine, and every right I have over her I hereby sign over to Demetrius.
Lysander
I am, my lord, as well deriv’d as he,
As well possess’d;
My lord, I'm as well born as he is, and as well off.
my love is more than his;
I love her more than he does.
My fortunes every way as fairly rank’d,
If not with vantage, as Demetrius’;
My prospects are every bit as good as Demetrius's, if not better.
And, which is more than all these boasts can be,
I am belov’d of beauteous Hermia.
And — worth more than all these boasts put together — I'm the one beautiful Hermia loves.
Why should not I then prosecute my right?
So why shouldn't I pursue my claim?
Demetrius, I’ll avouch it to his head,
Made love to Nedar’s daughter, Helena,
And won her soul;
Demetrius, I'll say this to his face, courted Nedar's daughter Helena and won her heart.
and she, sweet lady, dotes,
Devoutly dotes, dotes in idolatry,
Upon this spotted and inconstant man.
That poor woman still adores him — worships him, idolizes him — this stained, unfaithful man.
Theseus
I must confess that I have heard so much,
And with Demetrius thought to have spoke thereof;
But, being over-full of self-affairs,
My mind did lose it.
I admit I've heard as much, and I meant to talk to Demetrius about it, but I had too much of my own business on my mind and forgot.
But, Demetrius, come,
Demetrius, come here.
And come, Egeus; you shall go with me.
And you, Egeus — you're both coming with me.
I have some private schooling for you both.—
I have some private instruction for you.
For you, fair Hermia, look you arm yourself
To fit your fancies to your father’s will,
Or else the law of Athens yields you up
(Which by no means we may extenuate)
To death, or to a vow of single life.
As for you, Hermia, prepare yourself to bend your wishes to your father's will, or else the law of Athens — which I have no power to soften — condemns you to death or to a vow of celibacy.
Come, my Hippolyta.
Come, Hippolyta.
What cheer, my love?
How are you feeling, my love?
Demetrius and Egeus, go along;
Demetrius, Egeus, come along.
I must employ you in some business
Against our nuptial, and confer with you
Of something nearly that concerns yourselves.
I need you both for some wedding business, and there's something touching the two of you personally that I want to discuss.
Egeus
With duty and desire we follow you.
We follow you out of duty and desire.
Exeunt all but Lysander and Hermia.
Lysander
How now, my love?
What's this, my love?
Why is your cheek so pale?
Why has your face gone so pale?
How chance the roses there do fade so fast?
How have the roses in your cheeks faded so fast?
Hermia
Belike for want of rain, which I could well
Beteem them from the tempest of my eyes.
Probably for lack of rain — though I could water them well enough from the storm in my eyes.
Lysander
Ay me!
Oh dear.
For aught that I could ever read,
Could ever hear by tale or history,
The course of true love never did run smooth.
From everything I've ever read, or heard in any story or history, love has never had an easy road.
But either it was different in blood—
Either the two of them came from different social ranks —
Hermia
O cross!
What a curse —
Too high to be enthrall’d to low.
too highborn to be enslaved to someone beneath her.
Lysander
Or else misgraffèd in respect of years—
— or they were badly matched in age —
Hermia
O spite!
What a shame —
Too old to be engag’d to young.
too old to be paired with someone young.
Lysander
Or else it stood upon the choice of friends—
— or the choice was made by their relatives —
Hermia
O hell!
What hell,
to choose love by another’s eyes!
to have your love picked out by other people's eyes!
Lysander
Or, if there were a sympathy in choice,
War, death, or sickness did lay siege to it,
Making it momentany as a sound,
Swift as a shadow, short as any dream,
Brief as the lightning in the collied night
That, in a spleen, unfolds both heaven and earth,
And, ere a man hath power to say, ‘Behold!’
The jaws of darkness do devour it up:
Or, if they did happen to want each other, then war or death or illness laid siege to their love, making it as fleeting as a sound, quick as a shadow, brief as a dream — like a flash of lightning in a pitch-black night that rips open heaven and earth in a moment of fury, and before you can even say "Look!" the darkness has swallowed it.
So quick bright things come to confusion.
That's how fast bright things fall apart.
Hermia
If then true lovers have ever cross’d,
It stands as an edict in destiny.
Then if true lovers have always been thwarted, it must be a rule written into fate itself.
Then let us teach our trial patience,
Because it is a customary cross,
As due to love as thoughts and dreams and sighs,
Wishes and tears, poor fancy’s followers.
So let's teach ourselves patience through this ordeal, since it's a standard part of the bargain — as much a part of love as daydreams and sighs and wishes and tears, the whole retinue that follows desire around.
Lysander
A good persuasion;
That's a sensible way to see it.
therefore, hear me, Hermia.
So listen, Hermia.
I have a widow aunt, a dowager
Of great revenue, and she hath no child.
I have a widowed aunt with a large fortune and no children of her own.
From Athens is her house remote seven leagues,
And she respects me as her only son.
Her house is seven leagues outside Athens, and she treats me like her only son.
There, gentle Hermia, may I marry thee,
And to that place the sharp Athenian law
Cannot pursue us.
There, gentle Hermia, I can marry you — and the harsh Athenian law can't follow us that far.
If thou lovest me then,
Steal forth thy father’s house tomorrow night;
And in the wood, a league without the town
(Where I did meet thee once with Helena
To do observance to a morn of May),
So if you really love me, slip out of your father's house tomorrow night and meet me in the wood a league outside town, the place where I once met you and Helena celebrating May morning.
There will I stay for thee.
I'll be waiting for you there.
Hermia
My good Lysander!
My dear Lysander!
I swear to thee by Cupid’s strongest bow,
By his best arrow with the golden head,
By the simplicity of Venus’ doves,
By that which knitteth souls and prospers loves,
And by that fire which burn’d the Carthage queen
When the false Trojan under sail was seen,
By all the vows that ever men have broke
(In number more than ever women spoke),
In that same place thou hast appointed me,
Tomorrow truly will I meet with thee.
I swear to you by Cupid's strongest bow, by his best golden-tipped arrow, by the innocence of Venus's doves, by whatever it is that binds souls together and makes love flourish, and by the fire that burned Dido of Carthage when she watched her faithless Trojan sail away — by every promise men have ever broken, which outnumbers all the promises women have ever made — I will meet you tomorrow, in the very place you named.
Lysander
Keep promise, love.
Keep your promise, love.
Look, here comes Helena.
Look, here comes Helena.
Enter Helena.
Hermia
God speed fair Helena!
Good day to you, beautiful Helena!
Whither away?
Where are you off to?
Helena
Call you me fair?
You call me beautiful?
That fair again unsay.
Take that back.
Demetrius loves your fair.
Demetrius loves your beauty —
O happy fair!
you're the lucky beautiful one.
Your eyes are lode-stars and your tongue’s sweet air
More tuneable than lark to shepherd’s ear,
When wheat is green, when hawthorn buds appear.
Your eyes are guiding stars, and your voice is sweeter music than a lark is to a shepherd's ear when the wheat is green and the hawthorn is in bud.
Sickness is catching.
Illness is contagious —
O were favour so,
Yours would I catch, fair Hermia, ere I go.
I wish looks were too. I'd catch yours before I left, Hermia.
My ear should catch your voice, my eye your eye,
My tongue should catch your tongue’s sweet melody.
My ear would catch your voice, my eye your eye, my tongue the sweet tune of yours.
Were the world mine, Demetrius being bated,
The rest I’d give to be to you translated.
If the world were mine, I'd hand over all of it except Demetrius just to be turned into you.
O, teach me how you look, and with what art
You sway the motion of Demetrius’ heart!
Oh, teach me how you look at him, teach me the trick you use to move Demetrius's heart!
Hermia
I frown upon him, yet he loves me still.
I frown at him, and he still loves me.
Helena
O that your frowns would teach my smiles such skill!
If only my smiles could learn that skill from your frowns!
Hermia
I give him curses, yet he gives me love.
I curse him, and he answers with love.
Helena
O that my prayers could such affection move!
If only my prayers could stir that kind of feeling!
Hermia
The more I hate, the more he follows me.
The more I hate him, the more he chases me.
Helena
The more I love, the more he hateth me.
The more I love him, the more he hates me.
Hermia
His folly, Helena, is no fault of mine.
His stupidity isn't my fault, Helena.
Helena
None but your beauty;
Only your beauty's fault —
would that fault were mine!
and I wish that fault were mine!
Hermia
Take comfort:
Take heart:
he no more shall see my face;
he won't be seeing my face any longer.
Lysander and myself will fly this place.
Lysander and I are running away from here.
Before the time I did Lysander see,
Seem’d Athens as a paradise to me.
Before I ever laid eyes on Lysander, Athens seemed like paradise to me.
O, then, what graces in my love do dwell,
That he hath turn’d a heaven into hell!
What power my love must have, to turn a heaven into a hell.
Lysander
Helen, to you our minds we will unfold:
Helen, we'll let you in on our plans.
Tomorrow night, when Phoebe doth behold
Her silver visage in the watery glass,
Decking with liquid pearl the bladed grass
(A time that lovers’ flights doth still conceal),
Through Athens’ gates have we devis’d to steal.
Tomorrow night, when the moon sees her silver face in the water and beads the grass with liquid pearl — the hour that always hides lovers running away — we've arranged to slip out through the gates of Athens.
Hermia
And in the wood where often you and I
Upon faint primrose beds were wont to lie,
Emptying our bosoms of their counsel sweet,
There my Lysander and myself shall meet,
And in the wood where you and I so often lay on the pale primroses, pouring out our sweetest secrets to each other, that's where Lysander and I will meet.
And thence from Athens turn away our eyes,
To seek new friends and stranger companies.
Then we'll turn our backs on Athens and go looking for new friends among strangers.
Farewell, sweet playfellow.
Goodbye, sweet playmate.
Pray thou for us,
And good luck grant thee thy Demetrius!
Pray for us — and may you get your Demetrius.
Keep word, Lysander.
Keep your word, Lysander.
We must starve our sight
From lovers’ food, till morrow deep midnight.
Until tomorrow at midnight, we have to starve our eyes of the sight of each other.
Lysander
I will, my Hermia.
I will, my Hermia.
Exit Hermia.
Lysander
Helena, adieu.
Goodbye, Helena.
As you on him, Demetrius dote on you!
May Demetrius come to adore you as much as you adore him.
Exit Lysander.
Helena
How happy some o’er other some can be!
How much happier some people get to be than others!
Through Athens I am thought as fair as she.
All over Athens I'm considered as beautiful as she is —
But what of that?
but so what?
Demetrius thinks not so;
Demetrius doesn't think so.
He will not know what all but he do know.
He refuses to know what everyone else knows.
And as he errs, doting on Hermia’s eyes,
So I, admiring of his qualities.
And just as he's deluded, doting on Hermia's eyes, so am I, admiring everything about him.
Things base and vile, holding no quantity,
Love can transpose to form and dignity.
Love can take things that are worthless and cheap and transform them into something fine and dignified.
Love looks not with the eyes, but with the mind;
And therefore is wing’d Cupid painted blind.
Love doesn't see with the eyes but with the imagination — that's why Cupid is painted with wings and blindfolded.
Nor hath love’s mind of any judgment taste.
Wings, and no eyes, figure unheedy haste.
And love's imagination has no judgment in it at all: wings and no eyes, the picture of reckless haste.
And therefore is love said to be a child,
Because in choice he is so oft beguil’d.
That's why love is called a child, because it's so easily fooled in its choices.
As waggish boys in game themselves forswear,
So the boy Love is perjur’d everywhere.
Just as boys break their word in games without a thought, so love breaks its promises everywhere.
For, ere Demetrius look’d on Hermia’s eyne,
He hail’d down oaths that he was only mine;
Before Demetrius ever saw Hermia's eyes, he swore a hailstorm of oaths that he was mine alone —
And when this hail some heat from Hermia felt,
So he dissolv’d, and showers of oaths did melt.
and the moment that hail felt a little warmth from Hermia, it melted, and every oath dissolved with it.
I will go tell him of fair Hermia’s flight.
I'll go and tell him about Hermia's escape.
Then to the wood will he tomorrow night
Pursue her;
Then he'll chase her into the wood tomorrow night,
and for this intelligence
If I have thanks, it is a dear expense.
and if he thanks me for the information, it'll be thanks bought at a high price.
But herein mean I to enrich my pain,
To have his sight thither and back again.
But I'll make my suffering worth something: I'll get to watch him go and watch him come back.
Exit Helena.
A Midsummer Night's Dream Act 1, Scene 1 summary
Duke Theseus is preparing to marry Hippolyta when Egeus interrupts to demand that his daughter Hermia marry Demetrius, invoking an Athenian law that lets him have her executed if she refuses. Hermia loves Lysander, and Theseus gives her until the new moon to obey, enter a convent, or die. Left alone, Hermia and Lysander plan to elope through the wood outside Athens, and Hermia's friend Helena — hopelessly in love with Demetrius — decides to betray the plan to him in the hope of winning his gratitude.
Who appears in this scene
Theseus, Hippolyta, Egeus, Hermia, Demetrius, Lysander, Helena — Athens. A room in the Palace of Theseus.
Famous lines in A Midsummer Night's Dream Act 1, Scene 1, explained
- “The course of true love never did run smooth.” (line 136)
- Lysander says this while consoling Hermia after her father's ultimatum: everything he has ever read or heard tells him that love is always obstructed. The line has become the standard proverb for romantic difficulty, but in the play it is more than a platitude — it announces the comedy's whole design, since the lovers are about to be thrown into a wood where their feelings are scrambled beyond recognition. Shakespeare gives Lysander the comfort of thinking obstacles are external, when the trouble to come is inside the lovers themselves.
- “Swift as a shadow, short as any dream,” (line 146)
- Lysander describes how quickly love is destroyed by war, death or sickness, piling up images of things that vanish the instant they appear. The comparison to a dream is planted deliberately: the play's central action is a night in the wood that the lovers will afterwards be unable to distinguish from a dream. It also sets up the title and Puck's closing lines, which invite the audience to treat the whole play as something dreamt.
- “Love looks not with the eyes, but with the mind; / And therefore is wing’d Cupid painted blind.” (line 238)
- Alone on stage, Helena explains why Demetrius can prefer Hermia when everyone agrees the two women are equally beautiful: love ignores the evidence of the senses and invents its own version of the beloved. She reads the traditional image of blindfolded Cupid as a diagnosis rather than a decoration. The idea is the engine of the plot — Oberon's flower will literally make the eyes deceive, doing chemically what love already does naturally.
Keep reading
About this translation: the original text follows the public-domain Project Gutenberg Globe edition; the modern English translation was written in-house for Polytranslator and is reviewed on an ongoing basis (last revised August 2026). Free to print and photocopy for classroom use. Cite as: “A Midsummer Night's Dream, Act 1, Scene 1. Polytranslator side-by-side translation, polytranslator.com/shakespeare/midsummer-nights-dream/act-1-scene-1.”
Studying the language itself? Our Shakespearean English course teaches thou/thee, the verbs, and the meter — free through Unit 2. Or try the Shakespearean English translator.
Free side-by-side translation — polytranslator.com/shakespeare/midsummer-nights-dream/act-1-scene-1