Another part of the island · Gonzalo, Alonso, Sebastian, Antonio, Adrian, Francisco, Ariel
Washed up elsewhere on the island, Alonso grieves for Ferdinand while Gonzalo tries to cheer him and Sebastian and Antonio mock everything he says, including his sketch of an ideal commonwealth with no laws, work or property. Ariel plays music that puts everyone but Sebastian and Antonio to sleep, and Antonio talks Sebastian into murdering his sleeping brother and taking the crown of Naples, exactly as he once stole Milan from Prospero. Ariel wakes Gonzalo just as the swords are raised, and the plotters cover themselves with a story about hearing lions.
Enter Alonso, Sebastian, Antonio, Gonzalo, Adrian, Francisco and others.
Gonzalo
Beseech you, sir, be merry;
Please, sir, cheer up.
you have cause,
So have we all, of joy;
You have reason to be glad, and so do we all —
for our escape
Is much beyond our loss.
what we escaped far outweighs what we lost.
Our hint of woe
Is common;
Our kind of misfortune is common;
every day, some sailor’s wife,
The masters of some merchant and the merchant,
Have just our theme of woe;
every day some sailor's wife, some shipowner and merchant, has the same story of grief.
but for the miracle,
I mean our preservation, few in millions
Can speak like us:
But the miracle — I mean our survival — is something hardly anyone in millions can claim.
then wisely, good sir, weigh
Our sorrow with our comfort.
So weigh our sorrow against our comfort sensibly, sir.
Alonso
Prithee, peace.
Please, be quiet.
Sebastian
He receives comfort like cold porridge.
He takes comfort the way you'd take cold porridge.
Antonio
The visitor will not give him o’er so.
The sick-visitor won't give up on him that easily.
Sebastian
Look, he’s winding up the watch of his wit;
Look, he's winding up his wits like a clock.
by and by it will strike.
Any moment now it'll strike.
Gonzalo
Sir,—
Sir —
Sebastian
One:
One.
tell.
Start counting.
Gonzalo
When every grief is entertain’d that’s offer’d,
Comes to the entertainer—
When a man welcomes every grief that's offered to him, what he gets is —
Sebastian
A dollar.
A dollar.
Gonzalo
Dolour comes to him, indeed:
Dolour is exactly what he gets.
you have spoken truer than you purposed.
You spoke truer than you intended.
Sebastian
You have taken it wiselier than I meant you should.
And you took it more cleverly than I intended.
Gonzalo
Therefore, my lord,—
So, my lord —
Antonio
Fie, what a spendthrift is he of his tongue!
Good grief, how he squanders his tongue!
Alonso
I prithee, spare.
Please, spare me.
Gonzalo
Well, I have done:
All right, I've finished.
but yet—
But still —
Sebastian
He will be talking.
He can't help talking.
Antonio
Which, of he or Adrian, for a good wager, first begins to crow?
Care to bet on which of them, him or Adrian, crows first?
Sebastian
The old cock.
The old rooster.
Antonio
The cockerel.
The young one.
Sebastian
Done.
Agreed.
The wager?
What's the stake?
Antonio
A laughter.
A laugh.
Sebastian
A match!
Done!
Adrian
Though this island seem to be desert,—
Though this island seems to be a desert —
Antonio
Ha, ha, ha!
Ha, ha, ha!
Sebastian
So.
There.
You’re paid.
Paid in full.
Adrian
Uninhabitable, and almost inaccessible,—
Uninhabitable, and almost impossible to land on —
Sebastian
Yet—
And yet —
Adrian
Yet—
And yet —
Antonio
He could not miss ’t.
He couldn't have missed that one.
Adrian
It must needs be of subtle, tender, and delicate temperance.
It must have a subtle, mild and delicate climate.
Antonio
Temperance was a delicate wench.
Temperance — I knew a delicate girl by that name.
Sebastian
Ay, and a subtle;
Yes, and a subtle one,
as he most learnedly delivered.
just as he so learnedly put it.
Adrian
The air breathes upon us here most sweetly.
The air here is very sweet on the skin.
Sebastian
As if it had lungs, and rotten ones.
As though it had lungs — rotten ones.
Antonio
Or, as ’twere perfum’d by a fen.
Or as if a swamp had perfumed it.
Gonzalo
Here is everything advantageous to life.
Everything here is favourable to life.
Antonio
True;
True —
save means to live.
apart from anything to live on.
Sebastian
Of that there’s none, or little.
Of that there's none, or almost none.
Gonzalo
How lush and lusty the grass looks!
Look how lush and healthy the grass is!
how green!
How green!
Antonio
The ground indeed is tawny.
The ground is actually brown.
Sebastian
With an eye of green in’t.
With a hint of green in it.
Antonio
He misses not much.
He doesn't miss much.
Sebastian
No;
No —
he doth but mistake the truth totally.
he just gets the truth completely wrong.
Gonzalo
But the rarity of it is,—which is indeed almost beyond credit,—
But the remarkable thing about it, which is really almost unbelievable —
Sebastian
As many vouch’d rarities are.
As many certified marvels are.
Gonzalo
That our garments, being, as they were, drenched in the sea, hold
notwithstanding their freshness and glosses,
— is that our clothes, soaked through in the sea as they were, have kept their freshness and their shine.
being rather new-dyed than
stained with salt water.
They look freshly dyed rather than salt-stained.
Antonio
If but one of his pockets could speak, would it not say he lies?
If just one of his pockets could talk, wouldn't it call him a liar?
Sebastian
Ay, or very falsely pocket up his report.
Yes, or dishonestly pocket the compliment.
Gonzalo
Methinks our garments are now as fresh as when we put them on first in
Afric, at the marriage of the King’s fair daughter Claribel to the King
of Tunis.
It seems to me our clothes are as fresh as when we first put them on in Africa, at the wedding of the King's beautiful daughter Claribel to the King of Tunis.
Sebastian
’Twas a sweet marriage,
A lovely wedding,
and we prosper well in our return.
and our journey home is going splendidly.
Adrian
Tunis was never graced before with such a paragon to their Queen.
Tunis has never had such a jewel for a queen before.
Gonzalo
Not since widow Dido’s time.
Not since the widow Dido's day.
Antonio
Widow!
Widow!
a pox o’ that!
Damn that word.
How came that widow in?
How did a widow get in?
Widow Dido!
Widow Dido, indeed!
Sebastian
What if he had said, widower Aeneas too?
What if he'd said widower Aeneas as well?
Good Lord, how you take it!
Good Lord, the fuss you're making.
Adrian
Widow Dido said you?
Widow Dido, did you say?
You make me study of that;
That makes me think.
she was of Carthage,
not of Tunis.
She was from Carthage, not Tunis.
Gonzalo
This Tunis, sir, was Carthage.
This Tunis, sir, was Carthage.
Adrian
Carthage?
Carthage?
Gonzalo
I assure you, Carthage.
I assure you — Carthage.
Antonio
His word is more than the miraculous harp.
His word does more than that magical harp of Amphion's.
Sebastian
He hath rais’d the wall, and houses too.
He's raised the city wall, and the houses too.
Antonio
What impossible matter will he make easy next?
What impossible thing will he manage next?
Sebastian
I think he will carry this island home in his pocket, and give it his
son for an apple.
I think he'll carry this island home in his pocket and give it to his son as an apple.
Antonio
And, sowing the kernels of it in the sea, bring forth more islands.
And plant its pips in the sea to grow more islands.
Alonso
Ay.
Yes.
Antonio
Why, in good time.
Well, in good time.
To Alonso.
Gonzalo
Sir, we were talking that our garments seem now as fresh
as when we were at Tunis at the marriage of your daughter, who is now
Queen.
Sir, we were saying that our clothes look as fresh now as they did in Tunis at the wedding of your daughter, who is a queen now.
Antonio
And the rarest that e’er came there.
And the finest bride that ever came there.
Sebastian
Bate, I beseech you, widow Dido.
Excluding the widow Dido, please.
Antonio
O! widow Dido;
Oh yes — widow Dido.
ay, widow Dido.
Widow Dido indeed.
Gonzalo
Is not, sir, my doublet as fresh as the first day I wore it?
Isn't my jacket, sir, as good as new?
I mean, in
a sort.
In a manner of speaking, I mean.
Antonio
That sort was well fish’d for.
That "manner of speaking" was well angled for.
Gonzalo
When I wore it at your daughter’s marriage?
When I wore it at your daughter's wedding?
Alonso
You cram these words into mine ears against
The stomach of my sense.
You keep forcing these words into my ears when my mind has no stomach for them.
Would I had never
Married my daughter there!
I wish I had never married my daughter off there.
for, coming thence,
My son is lost; and, in my rate, she too,
Who is so far from Italy removed,
I ne’er again shall see her.
Because of that journey my son is lost — and so, as far as I'm concerned, is she, so far removed from Italy that I'll never see her again.
O thou mine heir
Of Naples and of Milan, what strange fish
Hath made his meal on thee?
Oh, my heir to Naples and Milan, what strange fish has made a meal of you?
Francisco
Sir, he may live:
Sir, he may be alive.
I saw him beat the surges under him,
And ride upon their backs.
I saw him beat the waves down under him and ride on their backs.
He trod the water,
Whose enmity he flung aside, and breasted
The surge most swoln that met him.
He trod the water, shoved its hostility aside, and swam chest-first into the biggest breaker that came at him.
His bold head
’Bove the contentious waves he kept, and oared
Himself with his good arms in lusty stroke
To th’ shore,
He kept his bold head above the fighting waves and rowed himself with strong strokes towards the shore,
that o’er his wave-worn basis bowed,
As stooping to relieve him.
which leaned down over its wave-worn base as if bending to help him.
I not doubt
He came alive to land.
I have no doubt he reached land alive.
Alonso
No, no,
No, no.
he’s gone.
He's gone.
Sebastian
Sir, you may thank yourself for this great loss,
Sir, you have yourself to thank for this great loss.
That would not bless our Europe with your daughter,
But rather lose her to an African;
Where she, at least, is banish’d from your eye,
Who hath cause to wet the grief on ’t.
You wouldn't bless Europe with your daughter but chose to lose her to an African instead, where at least she's out of your sight — though you have every reason now to weep over it.
Alonso
Prithee, peace.
Please, be quiet.
Sebastian
You were kneel’d to, and importun’d otherwise
By all of us;
We all knelt to you and begged you otherwise,
and the fair soul herself
Weigh’d between loathness and obedience at
Which end o’ th’ beam should bow.
and the poor girl herself was torn between disgust and obedience, unsure which way to tip.
We have lost your son,
I fear, for ever:
We've lost your son, I'm afraid, for good.
Milan and Naples have
More widows in them of this business’ making,
Than we bring men to comfort them.
Milan and Naples have more widows made by this expedition than we're bringing back men to comfort them.
The fault’s your own.
The fault is yours.
Alonso
So is the dear’st o’ th’ loss.
And so is the heaviest part of the loss.
Gonzalo
My lord Sebastian,
The truth you speak doth lack some gentleness
And time to speak it in.
My lord Sebastian, the truth you're telling lacks any kindness, and this is the wrong moment for it.
You rub the sore,
When you should bring the plaster.
You're rubbing the wound when you should be dressing it.
Sebastian
Very well.
Very good.
Antonio
And most chirurgeonly.
Quite the surgeon.
Gonzalo
It is foul weather in us all, good sir,
When you are cloudy.
It's bad weather for all of us, sir, when you're clouded over.
Sebastian
Foul weather?
Bad weather?
Antonio
Very foul.
Very bad.
Gonzalo
Had I plantation of this isle, my lord,—
If I had a colony on this island, my lord —
Antonio
He’d sow ’t with nettle-seed.
He'd sow it with nettle seed.
Sebastian
Or docks, or mallows.
Or weeds and mallow.
Gonzalo
And were the King on’t, what would I do?
And if I were king of it, what would I do?
Sebastian
’Scape being drunk for want of wine.
Avoid getting drunk, for lack of wine.
Gonzalo
I’ th’ commonwealth I would by contraries
Execute all things;
In my commonwealth I would do everything backwards.
for no kind of traffic
Would I admit; no name of magistrate;
I'd allow no trade at all, no such thing as a magistrate.
Letters should not be known;
Writing would be unknown;
riches, poverty,
And use of service, none;
there'd be no wealth, no poverty, no servants;
contract, succession,
Bourn, bound of land, tilth, vineyard, none;
no contracts, no inheritance, no boundaries or property lines, no ploughed fields or vineyards.
No use of metal, corn, or wine, or oil;
No use of metal, grain, wine or oil.
No occupation; all men idle, all;
And women too, but innocent and pure;
No jobs — everyone idle, all of them. Women too, but innocent and pure.
No sovereignty,—
No monarchy —
Sebastian
Yet he would be King on’t.
And yet he'd be king of it.
Antonio
The latter end of his commonwealth forgets the beginning.
The end of his commonwealth has forgotten how it began.
Gonzalo
All things in common nature should produce
Without sweat or endeavour;
Everything would be held in common and produced by nature without sweat or effort.
treason, felony,
Sword, pike, knife, gun, or need of any engine,
Would I not have;
I'd have no treason, no felony, no swords, pikes, knives, guns or any machinery of war.
but nature should bring forth,
Of it own kind, all foison, all abundance,
To feed my innocent people.
Nature would bring forth all her plenty of her own accord, to feed my innocent people.
Sebastian
No marrying ’mong his subjects?
No marriage among his subjects?
Antonio
None, man;
None at all —
all idle;
everyone idle.
whores and knaves.
Whores and rogues.
Gonzalo
I would with such perfection govern, sir,
T’ excel the Golden Age.
I would govern so perfectly, sir, that I'd outdo the Golden Age.
Sebastian
Save his Majesty!
God save His Majesty!
Antonio
Long live Gonzalo!
Long live Gonzalo!
Gonzalo
And,—do you mark me, sir?
And — are you following me, sir?
Alonso
Prithee, no more:
Please, no more.
thou dost talk nothing to me.
You're talking nothing to me.
Gonzalo
I do well believe your highness;
I quite believe you, Your Highness.
and did it to minister occasion to
these gentlemen, who are of such sensible and nimble lungs that they
always use to laugh at nothing.
I was only giving these gentlemen an opening — they have such quick and sensitive lungs that they laugh at nothing as a matter of habit.
Antonio
’Twas you we laughed at.
It was you we were laughing at.
Gonzalo
Who in this kind of merry fooling am nothing to you.
And in this line of clowning I'm nothing compared to you.
So you may
continue, and laugh at nothing still.
So carry on, and go on laughing at nothing.
Antonio
What a blow was there given!
What a blow that was!
Sebastian
An it had not fallen flat-long.
If only it hadn't landed flat.
Gonzalo
You are gentlemen of brave mettle.
You are gentlemen of remarkable spirit.
You would lift the moon out of her
sphere, if she would continue in it five weeks without changing.
You'd lift the moon out of its orbit, if it would just stay put there for five weeks without changing.
Enter Ariel, invisible, playing solemn music.
Sebastian
We would so,
We would,
and then go a-bat-fowling.
and then go hunting birds by moonlight.
Antonio
Nay, good my lord, be not angry.
Come, my good lord, don't be angry.
Gonzalo
No, I warrant you;
I'm not, I assure you.
I will not adventure my discretion so weakly.
I wouldn't risk my good sense so cheaply.
Will
you laugh me asleep,
Will you laugh me to sleep?
for I am very heavy?
I'm very heavy-eyed.
Antonio
Go sleep,
Go to sleep —
and hear us.
and listen to us while you do.
All sleep but Alonso, Sebastian and Antonio.
Alonso
What, all so soon asleep!
What, all asleep already?
I wish mine eyes
Would, with themselves, shut up my thoughts:
I wish my eyes would shut my thoughts up along with themselves.
I find
They are inclin’d to do so.
I feel them wanting to.
Sebastian
Please you, sir,
Do not omit the heavy offer of it:
Then don't refuse the offer, sir.
It seldom visits sorrow; when it doth,
It is a comforter.
Sleep rarely comes to a grieving man, and when it does it's a comfort.
Antonio
We two, my lord,
Will guard your person while you take your rest,
And watch your safety.
The two of us will guard you while you rest, my lord, and keep you safe.
Alonso
Thank you.
Thank you.
Wondrous heavy!
My eyes are terribly heavy.
Alonso sleeps. Exit Ariel.
Sebastian
What a strange drowsiness possesses them!
What a strange sleepiness has come over them!
Antonio
It is the quality o’ th’ climate.
It's something in the climate here.
Sebastian
Why
Doth it not then our eyelids sink?
Then why aren't our own eyelids drooping?
I find not
Myself dispos’d to sleep.
I don't feel like sleeping at all.
Antonio
Nor I.
Nor do I.
My spirits are nimble.
My mind is wide awake.
They fell together all, as by consent;
They all went down together, as if by agreement —
They dropp’d, as by a thunder-stroke.
dropped as though struck by lightning.
What might,
Worthy Sebastian?
What might happen, worthy Sebastian?
O, what might?
Oh, what might?
—No more.
— I'll say no more.
And yet methinks I see it in thy face,
What thou shouldst be.
And yet I think I can see in your face what you ought to be.
Th’ occasion speaks thee; and
My strong imagination sees a crown
Dropping upon thy head.
This moment is calling to you, and my imagination sees a crown coming down onto your head.
Sebastian
What, art thou waking?
What, are you awake?
Antonio
Do you not hear me speak?
Can't you hear me speaking?
Sebastian
I do; and surely
It is a sleepy language, and thou speak’st
Out of thy sleep.
I can — but it sounds like sleep-talk, and you're speaking out of a dream.
What is it thou didst say?
What was it you said?
This is a strange repose, to be asleep
With eyes wide open; standing, speaking, moving,
And yet so fast asleep.
This is a strange kind of rest, to be asleep with your eyes wide open, standing, talking, moving, and still fast asleep.
Antonio
Noble Sebastian,
Thou let’st thy fortune sleep—die rather;
Noble Sebastian, you're letting your fortune sleep — die, rather.
wink’st
Whiles thou art waking.
You're keeping your eyes shut while you're awake.
Sebastian
Thou dost snore distinctly:
You snore very clearly.
There’s meaning in thy snores.
There's meaning in your snoring.
Antonio
I am more serious than my custom; you
Must be so too, if heed me;
I'm more serious than usual, and you'll have to be too, if you listen to me.
which to do
Trebles thee o’er.
Doing so would make you three times the man you are.
Sebastian
Well, I am standing water.
Well, I'm standing water — going nowhere.
Antonio
I’ll teach you how to flow.
I'll teach you how to rise.
Sebastian
Do so:
Go ahead.
to ebb,
Hereditary sloth instructs me.
As for sinking, I inherited enough laziness to manage that on my own.
Antonio
O,
If you but knew how you the purpose cherish
Whiles thus you mock it!
If you only knew how much you're feeding this idea while you mock it —
how, in stripping it,
You more invest it!
how stripping it down only dresses it up more.
Ebbing men indeed,
Most often, do so near the bottom run
By their own fear or sloth.
Men who let themselves ebb really do run themselves aground through their own fear or idleness.
Sebastian
Prithee, say on:
Please, go on.
The setting of thine eye and cheek proclaim
A matter from thee, and a birth, indeed
Which throes thee much to yield.
The set of your eye and cheek says you have something to deliver, and a difficult birth it seems to be.
Antonio
Thus, sir:
It's this, sir.
Although this lord of weak remembrance, this
Who shall be of as little memory
When he is earth’d, hath here almost persuaded,—
For he’s a spirit of persuasion, only
Professes to persuade,—the King his son’s alive,
’Tis as impossible that he’s undrown’d
As he that sleeps here swims.
Although this forgetful old lord — who'll be just as forgotten himself once he's buried — has nearly convinced the King his son is alive, since persuading is the one thing he's good at and all he really does, it's as impossible that Ferdinand didn't drown as that this sleeping man can swim.
Sebastian
I have no hope
That he’s undrown’d.
I have no hope at all that he survived.
Antonio
O, out of that “no hope”
What great hope have you!
Ah, but out of that "no hope" what a great hope you have!
No hope that way is
Another way so high a hope, that even
Ambition cannot pierce a wink beyond,
But doubts discovery there.
No hope in that direction means so high a hope in another that even ambition can't see past it without doubting what it finds.
Will you grant with me
That Ferdinand is drown’d?
Will you agree with me that Ferdinand is drowned?
Sebastian
He’s gone.
He's gone.
Antonio
Then tell me,
Who’s the next heir of Naples?
Then tell me: who's next in line for the throne of Naples?
Sebastian
Claribel.
Claribel.
Antonio
She that is Queen of Tunis;
The one who is Queen of Tunis.
she that dwells
Ten leagues beyond man’s life;
Who lives further away than a man's whole life could carry him.
she that from Naples
Can have no note, unless the sun were post—
The Man i’ th’ Moon’s too slow—till newborn chins
Be rough and razorable;
Who can't get news from Naples unless the sun were the messenger — the Man in the Moon is too slow — before newborn babies grow beards.
she that from whom
We all were sea-swallow’d, though some cast again,
And by that destiny, to perform an act
Whereof what’s past is prologue, what to come
In yours and my discharge.
On the way back from her wedding the sea swallowed us all, though it spat some of us out again — destined, that is, to perform an act in which everything so far has only been the opening scene, and everything that comes next is for you and me to bring off.
Sebastian
What stuff is this!
What are you talking about?
How say you?
What do you mean?
’Tis true, my brother’s daughter’s Queen of Tunis;
So is she heir of Naples;
It's true my brother's daughter is Queen of Tunis, and she is heir to Naples.
’twixt which regions
There is some space.
And yes, there's a certain distance between those two places.
Antonio
A space whose ev’ry cubit
Seems to cry out “How shall that Claribel
Measure us back to Naples? Keep in Tunis,
And let Sebastian wake.”
A distance where every inch seems to cry out, "How could Claribel possibly travel back to Naples? Let her stay in Tunis and let Sebastian wake up."
Say this were death
That now hath seiz’d them; why, they were no worse
Than now they are.
Suppose what has taken them now were death — well, they'd be no worse off than they are asleep.
There be that can rule Naples
As well as he that sleeps;
There are men who could rule Naples as well as the one lying there.
lords that can prate
As amply and unnecessarily
As this Gonzalo.
There are lords who could prattle on as fully and as pointlessly as this Gonzalo —
I myself could make
A chough of as deep chat.
I could train a jackdaw to talk as deeply.
O, that you bore
The mind that I do!
I wish you had the mind I have.
What a sleep were this
For your advancement!
What an opportunity this sleep is for your advancement!
Do you understand me?
Do you follow me?
Sebastian
Methinks I do.
I think I do.
Antonio
And how does your content
Tender your own good fortune?
And how does your appetite take to your own good luck?
Sebastian
I remember
You did supplant your brother Prospero.
I remember that you deposed your brother Prospero.
Antonio
True.
I did.
And look how well my garments sit upon me;
Much feater than before;
And look how well these robes fit me — much better than they did before.
my brother’s servants
Were then my fellows; now they are my men.
My brother's servants used to be my equals; now they're my men.
Sebastian
But, for your conscience.
But what about your conscience?
Antonio
Ay, sir; where lies that?
Yes, sir — where exactly is that?
If ’twere a kibe,
’Twould put me to my slipper:
If it were a blister on my heel it would send me to my slippers,
but I feel not
This deity in my bosom:
but I feel no such god in my chest.
twenty consciences
That stand ’twixt me and Milan, candied be they
And melt ere they molest!
Let there be twenty consciences standing between me and Milan: they can turn to sugar and melt before they trouble me.
Here lies your brother,
No better than the earth he lies upon,
If he were that which now he’s like, that’s dead;
Here lies your brother, no better than the dirt he's lying on, if he were what he now resembles — which is dead.
Whom I, with this obedient steel, three inches of it,
Can lay to bed for ever;
And I, with three inches of this obliging steel, can put him to bed permanently,
whiles you, doing thus,
To the perpetual wink for aye might put
This ancient morsel, this Sir Prudence, who
Should not upbraid our course.
while you, doing the same, could close the eyes of this ancient scrap, this Sir Prudence, forever, so he can't lecture us about it.
For all the rest,
They’ll take suggestion as a cat laps milk.
As for all the others, they'll swallow whatever we suggest the way a cat laps milk.
They’ll tell the clock to any business that
We say befits the hour.
They'll tell the time however we say the hour suits us.
Sebastian
Thy case, dear friend,
Shall be my precedent:
Your case, dear friend, will be my model.
as thou got’st Milan,
I’ll come by Naples.
As you took Milan, I'll take Naples.
Draw thy sword:
Draw your sword.
one stroke
Shall free thee from the tribute which thou payest,
And I the King shall love thee.
One stroke frees you from the tribute you pay him, and I'll be a king who loves you for it.
Antonio
Draw together,
And when I rear my hand, do you the like,
To fall it on Gonzalo.
Let's draw together, and when I raise my hand, you do the same and bring yours down on Gonzalo.
Sebastian
O, but one word.
Just one more word.
They converse apart.
Sebastian
Music.
Music.
Re-enter Ariel, invisible.
Ariel comes back, invisible.
Ariel
My master through his art foresees the danger
That you, his friend, are in; and sends me forth—
For else his project dies—to keep them living.
Through his magic my master foresees the danger you, his friend, are in, and sends me out to keep them alive — because otherwise his whole plan dies with them.
Sings in Gonzalo’s ear.
Ariel
_While you here do snoring lie,
While you lie here snoring,
Open-ey’d conspiracy
wide-eyed conspiracy
His time doth take.
is taking its chance.
If of life you keep a care,
If you value your life,
Shake off slumber, and beware.
throw off sleep and beware.
Awake! awake!_
Wake up! Wake up!
Antonio
Then let us both be sudden.
Then let's both strike now.
Gonzalo
Now, good angels
Preserve the King!
Good angels, protect the King!
They wake.
Alonso
Why, how now!
What's this?
Ho, awake!
Wake up, everyone!
Why are you drawn?
Why are your swords drawn?
Wherefore this ghastly looking?
Why do you look so ghastly?
Gonzalo
What’s the matter?
What's going on?
Sebastian
Whiles we stood here securing your repose,
Even now, we heard a hollow burst of bellowing
Like bulls, or rather lions;
While we were standing guard over your sleep, just now, we heard a hollow burst of bellowing like bulls — no, more like lions.
did ’t not wake you?
Didn't it wake you?
It struck mine ear most terribly.
It was terrifying to hear.
Alonso
I heard nothing.
I heard nothing.
Antonio
O! ’twas a din to fright a monster’s ear,
To make an earthquake.
It was a noise to frighten a monster, loud enough to start an earthquake.
Sure, it was the roar
Of a whole herd of lions.
It must have been a whole pride of lions roaring.
Alonso
Heard you this, Gonzalo?
Did you hear this, Gonzalo?
Gonzalo
Upon mine honour, sir, I heard a humming,
And that a strange one too, which did awake me.
On my honour, sir, I heard a humming — a strange one at that — and it woke me.
I shak’d you, sir, and cried; as mine eyes open’d,
I saw their weapons drawn:
I shook you, sir, and shouted, and as my eyes opened I saw their weapons drawn.
—there was a noise,
That’s verily.
There was a noise, that's certain.
’Tis best we stand upon our guard,
Or that we quit this place:
We should either stay on our guard or leave this place.
let’s draw our weapons.
Let's draw our swords.
Alonso
Lead off this ground, and let’s make further search
For my poor son.
Lead us away from here, and let's search further for my poor son.
Gonzalo
Heavens keep him from these beasts!
Heaven keep him safe from these beasts!
For he is, sure, i’ th’ island.
He is on the island somewhere, I'm sure of it.
Alonso
Lead away.
Lead on.
Exit with the others.
Ariel
Prospero my lord shall know what I have done:
My lord Prospero shall hear what I've done.
So, King, go safely on to seek thy son.
So, King, go safely on and look for your son.
Exit.
The Tempest Act 2, Scene 1 summary
Washed up elsewhere on the island, Alonso grieves for Ferdinand while Gonzalo tries to cheer him and Sebastian and Antonio mock everything he says, including his sketch of an ideal commonwealth with no laws, work or property. Ariel plays music that puts everyone but Sebastian and Antonio to sleep, and Antonio talks Sebastian into murdering his sleeping brother and taking the crown of Naples, exactly as he once stole Milan from Prospero. Ariel wakes Gonzalo just as the swords are raised, and the plotters cover themselves with a story about hearing lions.
Who appears in this scene
Gonzalo, Alonso, Sebastian, Antonio, Adrian, Francisco, Ariel — Another part of the island.
Famous lines in The Tempest Act 2, Scene 1, explained
- “Whereof what’s past is prologue, what to come / In yours and my discharge.” (line 263)
- Antonio argues that everything up to now — the wreck, Ferdinand's death, Claribel's distance — was merely the set-up, and the real action is the murder he and Sebastian are about to commit. Shakespeare gives the phrase to a killer talking himself into a crime, though it is now carved on public buildings as a hopeful line about history. Read in context it means something colder: the past is no excuse and no constraint, so act.
- “I’ th’ commonwealth I would by contraries / Execute all things” (line 141)
- Gonzalo imagines running the island as the opposite of Europe: no trade, no magistrates, no literacy, no property, no work. The speech is lifted from Montaigne's essay on cannibals and it is genuinely idealistic, but Shakespeare undercuts it twice — Sebastian points out that a kingdom with no ruler still somehow has Gonzalo as king, and the audience already knows the island's actual native is enslaved a mile away.
- “But, for your conscience.” (line 290)
- Sebastian raises the last obstacle to killing his brother, and Antonio's answer — that if conscience were a blister he would feel it in his shoe, but he feels nothing — is the most chilling moment in the play. It establishes Antonio as a man with no inner brake at all, which is why Prospero's forgiveness of him in Act 5 lands as strangely as it does: Antonio never repents and never speaks again after his last joke.
Keep reading
- Act 1, Scene 2 — modern English translation
- Act 2, Scene 2 — modern English translation
- All The Tempest scenes
About this translation: the original text follows the public-domain Project Gutenberg Globe edition; the modern English translation was written in-house for Polytranslator and is reviewed on an ongoing basis (last revised August 2026). Free to print and photocopy for classroom use. Cite as: “The Tempest, Act 2, Scene 1. Polytranslator side-by-side translation, polytranslator.com/shakespeare/the-tempest/act-2-scene-1.”
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Free side-by-side translation — polytranslator.com/shakespeare/the-tempest/act-2-scene-1