The Tempest Translation

The TempestAct 4, Scene 1

original text and modern English, side by side

Before Prospero’s cell · Prospero, Ferdinand, Ariel, Iris, Ceres, Juno, Miranda, Caliban, Stephano, Trinculo

Prospero gives Miranda to Ferdinand, warning him sternly not to sleep with her before the wedding, and stages a betrothal masque in which Iris, Ceres and Juno bless the couple. He breaks it off mid-dance on remembering Caliban's murder plot, telling the shaken Ferdinand that the vanished spirits are like the world itself — we are such stuff as dreams are made on. Ariel then leads the drunken conspirators through a stinking pond and distracts them with a rack of fine clothes, and Prospero sets spirit hounds on them.

Enter Prospero, Ferdinand and Miranda.

Prospero

If I have too austerely punish’d you,

Your compensation makes amends:

If I punished you too harshly, what you get in return more than makes up for it —

for I

Have given you here a third of mine own life,

Or that for which I live;

because I've handed you a third of my own life here, or rather the thing I live for,

who once again

I tender to thy hand:

and I'm giving her to you again now.

all thy vexations

Were but my trials of thy love, and thou

Hast strangely stood the test:

All the trouble I put you through was only my way of testing your love, and you've passed that test remarkably.

here, afore Heaven,

I ratify this my rich gift.

Here, before heaven, I confirm this rich gift.

O Ferdinand,

Do not smile at me that I boast her off,

Ferdinand, don't smile at me for praising her so highly:

For thou shalt find she will outstrip all praise,

And make it halt behind her.

you'll find she outruns every compliment and leaves it limping behind.

Ferdinand

I do believe it

Against an oracle.

I'd believe that even if an oracle said otherwise.

Prospero

Then, as my gift and thine own acquisition

Worthily purchas’d, take my daughter:

Then take my daughter — my gift, and a prize you've honestly earned.

but

If thou dost break her virgin knot before

All sanctimonious ceremonies may

With full and holy rite be minister’d,

No sweet aspersion shall the heavens let fall

To make this contract grow;

But if you take her virginity before all the holy ceremonies have been fully and properly performed, heaven will send down no sweet blessing to make this marriage grow.

but barren hate,

Sour-ey’d disdain, and discord shall bestrew

The union of your bed with weeds so loathly

That you shall hate it both:

Instead, sterile hatred, sour-eyed contempt and constant quarrelling will strew your marriage bed with weeds so vile that you'll both come to hate it.

therefore take heed,

As Hymen’s lamps shall light you.

So take care, if you want the wedding torches to burn for you.

Ferdinand

As I hope

For quiet days, fair issue, and long life,

With such love as ’tis now,

As I hope for peaceful days, fine children and a long life with love as strong as it is now —

the murkiest den,

The most opportune place, the strong’st suggestion

Our worser genius can, shall never melt

Mine honour into lust, to take away

The edge of that day’s celebration,

no darkest hiding place, no perfect opportunity, no temptation my worse instincts can produce will ever melt my honour down into lust and spoil the joy of the wedding day.

When I shall think, or Phoebus’ steeds are founder’d,

Or Night kept chain’d below.

On that day I'll be certain the sun's horses have gone lame, or Night is being kept chained up below.

Prospero

Fairly spoke:

Well said.

Sit, then, and talk with her,

Sit down, then, and talk with her.

she is thine own.

She's yours.

What, Ariel! my industrious servant, Ariel!

— Ariel! My hard-working servant, Ariel!

Enter Ariel.

Ariel

What would my potent master?

What does my powerful master want?

here I am.

Here I am.

Prospero

Thou and thy meaner fellows your last service

Did worthily perform;

You and your lesser companions performed your last job admirably,

and I must use you

In such another trick.

and I need you for another trick of that kind.

Go bring the rabble,

O’er whom I give thee power, here to this place.

Go and bring the crowd of spirits I've given you authority over here to this spot.

Incite them to quick motion;

Get them moving quickly,

for I must

Bestow upon the eyes of this young couple

Some vanity of mine art:

because I have to show this young couple a little display of my art.

it is my promise,

And they expect it from me.

It's what I promised, and they're expecting it.

Ariel

Presently?

Right now?

Prospero

Ay, with a twink.

Yes, in a blink.

Ariel

Before you can say “Come” and “Go,”

And breathe twice, and cry “so, so,”

Each one, tripping on his toe,

Will be here with mop and mow.

Before you can say "come" and "go," take two breaths and call out "there, there," every one of them will be here on tiptoe, pulling faces.

Do you love me, master? no?

Do you love me, master? No?

Prospero

Dearly, my delicate Ariel.

Dearly, my delicate Ariel.

Do not approach

Till thou dost hear me call.

Don't come near until you hear me call.

Ariel

Well, I conceive.

Understood.

Exit.

Prospero

Look thou be true;

See that you keep your word.

do not give dalliance

Too much the rein:

Don't give your flirting too much rope —

the strongest oaths are straw

To th’ fire i’ the blood:

the strongest oaths are straw against the fire in the blood.

be more abstemious,

Or else good night your vow!

Be more restrained, or your vow is finished.

Ferdinand

I warrant you, sir;

I promise you, sir.

The white cold virgin snow upon my heart

Abates the ardour of my liver.

The cold white snow of purity on my heart cools whatever heat is in me.

Prospero

Well.

Good.

Now come, my Ariel!

Now come, Ariel!

bring a corollary,

Rather than want a spirit:

Bring an extra spirit or two rather than be short of one.

appear, and pertly.

Appear, and quickly.

No tongue! all eyes! be silent.

— Not a word! Eyes only! Be silent.

Soft music.

Prospero

A Masque.

A masque.

Enter Iris.

Iris enters.

Iris

Ceres, most bounteous lady, thy rich leas

Of wheat, rye, barley, vetches, oats, and peas;

Ceres, most generous lady, leave your rich fields of wheat, rye, barley, vetch, oats and peas;

Thy turfy mountains, where live nibbling sheep,

your grassy hills where the sheep graze;

And flat meads thatch’d with stover, them to keep;

your flat meadows thatched with hay to feed them through winter;

Thy banks with pioned and twilled brims,

Which spongy April at thy hest betrims,

To make cold nymphs chaste crowns;

your riverbanks with their trenched and ridged edges, which soggy April trims at your command to make chaste garlands for cold nymphs;

and thy broom groves,

Whose shadow the dismissed bachelor loves,

Being lass-lorn;

and your groves of broom, whose shade the jilted bachelor loves when he's lost his girl;

thy pole-clipt vineyard;

your vineyards on their poles;

And thy sea-marge, sterile and rocky-hard,

Where thou thyself dost air:

and your barren, rocky seashore where you take the air.

the Queen o’ th’ sky,

Whose wat’ry arch and messenger am I,

Bids thee leave these; and with her sovereign grace,

Here on this grass-plot, in this very place,

To come and sport;

The Queen of the sky, whose rainbow and whose messenger I am, tells you to leave all these and come here to this patch of grass to play, with her royal blessing.

her peacocks fly amain:

Her peacocks are flying at full speed.

Approach, rich Ceres, her to entertain.

Come, rich Ceres, and entertain her.

Enter Ceres.

Ceres

Hail, many-colour’d messenger, that ne’er

Dost disobey the wife of Jupiter;

Greetings, many-coloured messenger, who never disobeys Jupiter's wife —

Who with thy saffron wings upon my flowers

Diffusest honey drops, refreshing showers;

you who scatter honey drops and refreshing showers from your saffron wings onto my flowers,

And with each end of thy blue bow dost crown

My bosky acres and my unshrubb’d down,

Rich scarf to my proud earth;

and crown my wooded acres and open downs with both ends of your blue arc, a rich scarf across my proud earth.

why hath thy queen

Summon’d me hither to this short-grass’d green?

Why has your queen called me here to this short-grassed green?

Iris

A contract of true love to celebrate,

And some donation freely to estate

On the blest lovers.

To celebrate a marriage contract, and to make the blessed couple a gift, freely given.

Ceres

Tell me, heavenly bow,

If Venus or her son, as thou dost know,

Do now attend the queen?

Tell me, heavenly rainbow, do you know whether Venus or her son are attending the queen right now?

Since they did plot

The means that dusky Dis my daughter got,

Her and her blind boy’s scandal’d company

I have forsworn.

Ever since they arranged the trick by which dark Pluto stole my daughter, I've sworn off the disgraceful company of her and her blind boy.

Iris

Of her society

Be not afraid.

Don't worry about her company.

I met her deity

Cutting the clouds towards Paphos, and her son

Dove-drawn with her.

I met her godhead slicing through the clouds towards Paphos, with her son drawn along beside her by doves.

Here thought they to have done

Some wanton charm upon this man and maid,

Whose vows are, that no bed-right shall be paid

Till Hymen’s torch be lighted; but in vain.

They meant to work some lustful spell on this young man and this girl, who have sworn that no marriage bed will be enjoyed until the wedding torch is lit — but they've failed.

Mars’s hot minion is return’d again;

Mars's hot lover has gone back;

Her waspish-headed son has broke his arrows,

Swears he will shoot no more, but play with sparrows,

And be a boy right out.

her wasp-tempered son has snapped his arrows and swears he'll shoot no more, but play with sparrows and be an ordinary boy from now on.

Ceres

Highest queen of State,

Great Juno comes;

Highest queen of state, great Juno is coming.

I know her by her gait.

I know her by her walk.

Enter Juno.

Juno

How does my bounteous sister?

How is my generous sister?

Go with me

To bless this twain, that they may prosperous be,

And honour’d in their issue.

Come with me and bless this pair, so they may prosper and be honoured in their children.

They sing.

Juno

_Honour, riches, marriage-blessing,

Honour, riches, a blessed marriage,

Long continuance, and increasing,

long life together and a growing family,

Hourly joys be still upon you!

and joy upon you every hour!

Juno sings her blessings on you._

Juno sings her blessings on you.

Ceres

_Earth’s increase, foison plenty,

Fruitful earth and plentiful harvests,

Barns and garners never empty;

barns and storehouses never empty;

Vines with clust’ring bunches growing;

vines heavy with clustering grapes;

Plants with goodly burden bowing;

plants bowed down under a good crop;

Spring come to you at the farthest

In the very end of harvest!

and spring returning to you at the latest the moment harvest ends!

Scarcity and want shall shun you;

Scarcity and want shall keep away from you.

Ceres’ blessing so is on you._

That is Ceres' blessing on you.

Ferdinand

This is a most majestic vision, and

Harmonious charmingly.

This is a most majestic vision, and charmingly harmonious.

May I be bold

To think these spirits?

May I dare to think these are spirits?

Prospero

Spirits, which by mine art

I have from their confines call’d to enact

My present fancies.

Spirits, which by my art I've summoned from their own realm to act out what I have in mind.

Ferdinand

Let me live here ever.

Let me live here forever.

So rare a wonder’d father and a wise,

Makes this place Paradise.

So wonderful and wise a father makes this place paradise.

Juno and Ceres whisper, and send Iris on employment.

Prospero

Sweet now, silence!

Quiet now, my dear.

Juno and Ceres whisper seriously,

There’s something else to do:

Juno and Ceres are whispering seriously — there's something more to come.

hush, and be mute,

Or else our spell is marr’d.

Hush and stay silent, or the spell will be ruined.

Iris

You nymphs, call’d Naiads, of the windring brooks,

With your sedg’d crowns and ever-harmless looks,

Leave your crisp channels, and on this green land

Answer your summons; Juno does command.

You nymphs, called Naiads, of the wandering brooks, with your reed crowns and your ever-harmless faces: leave your rippling channels, come out onto this green land and answer the summons. Juno commands it.

Come, temperate nymphs, and help to celebrate

A contract of true love.

Come, gentle nymphs, and help celebrate a contract of true love.

Be not too late.

Don't be slow about it.

Enter certain Nymphs.

Iris

You sun-burn’d sicklemen, of August weary,

Come hither from the furrow, and be merry:

You sunburnt harvesters, worn out with August, come here from the furrows and enjoy yourselves.

Make holiday:

Take a holiday.

your rye-straw hats put on,

And these fresh nymphs encounter every one

In country footing.

Put on your straw hats and meet these fresh nymphs, each of you, in a country dance.

Enter certain Reapers, properly habited: they join with the Nymphs in a graceful dance; towards the end whereof Prospero starts suddenly, and speaks; after which, to a strange, hollow, and confused noise, they heavily vanish.

Aside.

Prospero

I had forgot that foul conspiracy

Of the beast Caliban and his confederates

Against my life:

I'd forgotten that foul conspiracy the brute Caliban and his accomplices have made against my life.

the minute of their plot

Is almost come.

The moment set for their plot has almost come.

[_To the Spirits._] Well done! avoid; no

more!

[To the spirits.] Well done — go now, no more.

Ferdinand

This is strange:

This is odd.

your father’s in some passion

That works him strongly.

Your father is in the grip of some strong feeling.

Miranda

Never till this day

Saw I him touch’d with anger so distemper’d.

Never before today have I seen him disturbed by such wild anger.

Prospero

You do look, my son, in a mov’d sort,

As if you were dismay’d:

You look shaken, my son, as if something had alarmed you.

be cheerful, sir:

Cheer up, sir.

Our revels now are ended.

Our entertainment is over now.

These our actors,

As I foretold you, were all spirits and

Are melted into air, into thin air:

These actors of ours, as I told you beforehand, were all spirits, and they've melted into the air, into thin air.

And, like the baseless fabric of this vision,

The cloud-capp’d towers, the gorgeous palaces,

The solemn temples, the great globe itself,

Yea, all which it inherit, shall dissolve,

And, like this insubstantial pageant faded,

Leave not a rack behind.

And like the groundless fabric of this vision, the cloud-topped towers, the magnificent palaces, the solemn temples, the great globe itself — yes, and everyone who inherits it — will all dissolve, and like this weightless show that has just faded, leave not so much as a wisp of cloud behind.

We are such stuff

As dreams are made on, and our little life

Is rounded with a sleep.

We are made of the same substance as dreams, and our brief life is closed round on both sides by sleep.

Sir, I am vex’d:

Bear with my weakness;

Sir, I'm troubled; bear with my weakness.

my old brain is troubled.

My old head is unsettled.

Be not disturb’d with my infirmity.

Don't be alarmed by my frailty.

If you be pleas’d, retire into my cell

And there repose:

If you don't mind, go into my cell and rest there.

a turn or two I’ll walk,

To still my beating mind.

I'll walk a turn or two to quiet my racing mind.

FERDINAND, MIRANDA.

We wish your peace.

FERDINAND and MIRANDA: We wish you peace.

Exeunt.

Prospero

Come, with a thought.

Come, quick as thought.

I thank thee, Ariel.

Thank you, Ariel.

Come!

Come!

Enter Ariel.

Ariel

Thy thoughts I cleave to.

I stick close to your thoughts.

What’s thy pleasure?

What do you want?

Prospero

Spirit,

We must prepare to meet with Caliban.

Spirit, we have to get ready to deal with Caliban.

Ariel

Ay, my commander.

Yes, commander.

When I presented Ceres,

I thought to have told thee of it; but I fear’d

Lest I might anger thee.

When I was playing Ceres I meant to mention it to you, but I was afraid of making you angry.

Prospero

Say again, where didst thou leave these varlets?

Tell me again — where did you leave those scoundrels?

Ariel

I told you, sir, they were red-hot with drinking;

So full of valour that they smote the air

For breathing in their faces; beat the ground

For kissing of their feet; yet always bending

Towards their project.

As I said, sir, they were flushed with drink — so full of bravado that they hit the air for blowing in their faces and struck the ground for daring to kiss their feet, but always heading for their target.

Then I beat my tabor;

At which, like unback’d colts, they prick’d their ears,

Advanc’d their eyelids, lifted up their noses

As they smelt music:

Then I beat my drum, and at that, like unbroken colts, they pricked their ears, opened their eyes wide and lifted their noses as if they could smell music.

so I charm’d their ears,

That calf-like they my lowing follow’d through

Tooth’d briers, sharp furzes, pricking goss, and thorns,

Which enter’d their frail shins:

I charmed their ears so thoroughly that they followed my lowing like calves, through toothed briars, sharp gorse, prickly furze and thorns that tore into their tender shins.

at last I left them

I’ th’ filthy-mantled pool beyond your cell,

There dancing up to th’ chins, that the foul lake

O’erstunk their feet.

In the end I left them up to their chins in the scum-covered pond beyond your cell, dancing there, with the filthy water stinking worse than their own feet.

Prospero

This was well done, my bird.

Well done, my bird.

Thy shape invisible retain thou still:

Stay invisible a while longer.

The trumpery in my house, go bring it hither

For stale to catch these thieves.

Go and fetch the flashy junk in my house and bring it here, as bait to trap these thieves.

Ariel

I go, I go.

I'm going, I'm going.

Exit.

Prospero

A devil, a born devil, on whose nature

Nurture can never stick;

A devil, a born devil, whose nature no upbringing can ever take hold of.

on whom my pains,

Humanely taken, all, all lost, quite lost;

All my efforts with him, all humanely meant, are wasted — completely wasted.

And as with age his body uglier grows,

So his mind cankers.

And as his body grows uglier with age, his mind rots along with it.

I will plague them all,

Even to roaring.

I'll torment the lot of them until they roar.

Re-enter Ariel, loaden with glistering apparel, &c.

Prospero

Come, hang them on this line.

Come, hang them on this line.

Prospero and Ariel remain invisible.

Prospero and Ariel remain invisible.

Enter Caliban, Stephano and

Trinculo all wet.

Caliban, Stephano and Trinculo enter, all soaking wet.

Caliban

Pray you, tread softly, that the blind mole may not

Hear a foot fall:

Step quietly, please, so the blind mole can't hear a footfall.

we now are near his cell.

We're near his cell now.

Stephano

Monster, your fairy, which you say is a harmless fairy, has done little

better than played the Jack with us.

Monster, that fairy of yours, the harmless one you told us about, has done little better than make fools of us.

Trinculo

Monster, I do smell all horse-piss; at which my nose is in great

indignation.

Monster, all I can smell is horse piss, and my nose is deeply offended by it.

Stephano

So is mine.

So is mine.

Do you hear, monster?

Do you hear that, monster?

If I should take a displeasure

against you, look you,—

If I were to take a dislike to you, look you —

Trinculo

Thou wert but a lost monster.

You'd be a monster with no future.

Caliban

Good my lord, give me thy favour still.

My good lord, keep your favour towards me.

Be patient, for the prize I’ll bring thee to

Shall hoodwink this mischance:

Be patient — the prize I'm taking you to will blot out this mishap.

therefore speak softly.

So speak quietly.

All’s hush’d as midnight yet.

Everything is still as silent as midnight.

Trinculo

Ay, but to lose our bottles in the pool!

Yes, but losing our bottles in that pond!

Stephano

There is not only disgrace and dishonour in that, monster, but an

infinite loss.

That's not just a humiliation and a disgrace, monster — it's an infinite loss.

Trinculo

That’s more to me than my wetting:

It matters more to me than the soaking.

yet this is your harmless fairy,

monster.

And this is your harmless fairy, monster.

Stephano

I will fetch off my bottle, though I be o’er ears for my labour.

I'm going back for my bottle, even if I go in over my ears for it.

Caliban

Prithee, my King, be quiet.

Please, my king, be quiet.

Seest thou here,

This is the mouth o’ th’ cell:

Look here — this is the mouth of the cell.

no noise, and enter.

No noise, and in you go.

Do that good mischief which may make this island

Thine own for ever, and I, thy Caliban,

For aye thy foot-licker.

Do that fine bit of mischief that will make this island yours forever, and I, your Caliban, will lick your feet for the rest of my life.

Stephano

Give me thy hand.

Shake my hand.

I do begin to have bloody thoughts.

I'm starting to have murderous thoughts.

Trinculo

O King Stephano! O peer! O worthy Stephano!

Oh, King Stephano! Oh, noble lord! Oh, worthy Stephano!

Look what a wardrobe here is for thee!

Look at the wardrobe waiting for you here!

Caliban

Let it alone, thou fool;

Leave it alone, you fool.

it is but trash.

It's only rubbish.

Trinculo

O, ho, monster!

Oh ho, monster!

we know what belongs to a frippery.

We know a second-hand clothes shop when we see one.

O King Stephano!

Oh, King Stephano!

Stephano

Put off that gown, Trinculo;

Take that gown off, Trinculo.

by this hand, I’ll have that gown.

By this hand, I'll have that gown.

Trinculo

Thy Grace shall have it.

Your Grace shall have it.

Caliban

The dropsy drown this fool!

May dropsy drown this idiot!

What do you mean

To dote thus on such luggage?

What do you mean by drooling over such junk?

Let’t alone,

And do the murder first.

Leave it alone and do the murder first.

If he awake,

From toe to crown he’ll fill our skins with pinches,

Make us strange stuff.

If he wakes up, he'll cover us in pinches from head to foot and turn us into something horrible.

Stephano

Be you quiet, monster.

Be quiet, monster.

Mistress line, is not this my jerkin?

Madam clothesline, isn't this my jacket?

Now is the

jerkin under the line:

Now the jacket's gone under the line —

now, jerkin, you are like to lose your hair, and

prove a bald jerkin.

now, jacket, you're likely to lose your hair and end up a bald jacket.

Trinculo

Do, do:

Go on, go on.

we steal by line and level, an’t like your Grace.

We steal by rule and measure, if it please Your Grace.

Stephano

I thank thee for that jest.

Thank you for that joke.

Here’s a garment for ’t:

unrewarded while I am King of this country.

Here's a garment as payment for it —

wit shall not go

wit won't go unrewarded while I'm king of this country.

“Steal by line and level,”

is an excellent pass of pate.

"Steal by rule and measure" is a first-rate stroke of the brain.

There’s another garment for ’t.

Here's another garment for it.

Trinculo

Monster, come, put some lime upon your fingers, and away with the rest.

Monster, come on, get some glue on your fingers and take the rest away.

Caliban

I will have none on’t.

I want none of it.

We shall lose our time,

And all be turn’d to barnacles, or to apes

With foreheads villainous low.

We're wasting our time, and we'll all be turned into barnacle geese, or into apes with hideously low foreheads.

Stephano

Monster, lay-to your fingers:

Monster, put your fingers to work.

help to bear this away where my hogshead

of wine is, or I’ll turn you out of my kingdom.

Help carry this to where my barrel of wine is, or I'll throw you out of my kingdom.

Go to, carry this.

Go on, carry this.

Trinculo

And this.

And this.

Stephano

Ay, and this.

Yes, and this.

A noise of hunters heard.

The sound of hunters.

Enter divers Spirits, in shape of dogs and

hounds, and hunt them about; Prospero and Ariel setting them on.

Various spirits enter in the shape of dogs and hounds and chase them about, with Prospero and Ariel urging them on.

Prospero

Hey, Mountain, hey!

Hey there, Mountain, hey!

Ariel

Silver! there it goes, Silver!

Silver! There it goes, Silver!

Prospero

Fury, Fury! There, Tyrant, there! hark, hark!

Fury, Fury! There, Tyrant, there! Listen, listen!

Caliban, Stephano and Trinculo are driven out.

Prospero

Go, charge my goblins that they grind their joints

With dry convulsions; shorten up their sinews

With aged cramps, and more pinch-spotted make them

Than pard, or cat o’ mountain.

Go and order my goblins to grind their joints with dry spasms, shrink their tendons with the cramps of old age, and cover them in more pinch-marks than a leopard or a wildcat.

Ariel

Hark, they roar.

Listen — they're roaring.

Prospero

Let them be hunted soundly.

Let them be hunted hard.

At this hour

Lies at my mercy all mine enemies.

At this hour all my enemies are at my mercy.

Shortly shall all my labours end, and thou

Shalt have the air at freedom.

Soon all my work will be over, and you'll have the freedom of the air.

For a little

Follow, and do me service.

For a little longer, follow me and serve me.

Exeunt.

The Tempest Act 4, Scene 1 summary

Prospero gives Miranda to Ferdinand, warning him sternly not to sleep with her before the wedding, and stages a betrothal masque in which Iris, Ceres and Juno bless the couple. He breaks it off mid-dance on remembering Caliban's murder plot, telling the shaken Ferdinand that the vanished spirits are like the world itself — we are such stuff as dreams are made on. Ariel then leads the drunken conspirators through a stinking pond and distracts them with a rack of fine clothes, and Prospero sets spirit hounds on them.

Who appears in this scene

Prospero, Ferdinand, Ariel, Iris, Ceres, Juno, Miranda, Caliban, Stephano, Trinculo — Before Prospero’s cell.

Famous lines in The Tempest Act 4, Scene 1, explained

Our revels now are ended. These our actors, / As I foretold you, were all spirits and / Are melted into air, into thin air (line 164)
Prospero cuts the wedding masque short and explains the vanishing to Ferdinand: the performers were spirits and have dissolved. He immediately widens the thought from a cancelled show to everything that exists, and "into thin air" entered the language from this line. Coming from a magician who is about to give up his powers, it is also Prospero conceding that his own illusions, including the one he has run on this island for twelve years, end the same way.
The cloud-capp’d towers, the gorgeous palaces, / The solemn temples, the great globe itself, / Yea, all which it inherit, shall dissolve, / And, like this insubstantial pageant faded, / Leave not a rack behind. (line 168)
The list runs from a stage set to civilisation to the planet, and all of it goes the same way as the masque — leaving not even a wisp of cloud behind. "The great globe itself" is a deliberate double meaning: Shakespeare's own theatre was the Globe, so the actor saying this is pointing at the building he is standing in and telling the audience it will vanish too.
We are such stuff / As dreams are made on, and our little life / Is rounded with a sleep. (line 172)
The most quoted line in the play, and it is usually softened in quotation. Prospero means that human beings are made of the same insubstantial material as dreams, and that a life is a brief waking enclosed on both sides by sleep — before birth and after death. Said by a man who has just discovered that his powers cannot make his enemies decent, it is resignation more than consolation, and it is why he immediately admits his old brain is troubled and asks to be left alone.
A devil, a born devil, on whose nature / Nurture can never stick (line 209)
Prospero's verdict on Caliban after the plot is uncovered: education cannot take on someone born bad, so all his teaching was wasted. It is the earliest famous formulation of the nature-versus-nurture question in English, and the play pointedly leaves it open — Caliban gets the most beautiful speech in it, and by Act 5 is the only conspirator who says he will do better.

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About this translation: the original text follows the public-domain Project Gutenberg Globe edition; the modern English translation was written in-house for Polytranslator and is reviewed on an ongoing basis (last revised August 2026). Free to print and photocopy for classroom use. Cite as: “The Tempest, Act 4, Scene 1. Polytranslator side-by-side translation, polytranslator.com/shakespeare/the-tempest/act-4-scene-1.”

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