The Tempest Translation

The TempestAct 5, Scene 1

original text and modern English, side by side

Before the cell of Prospero · Prospero, Ariel, Gonzalo, Alonso, Sebastian, Miranda, Ferdinand, Antonio, Boatswain, Stephano, Trinculo, Caliban

Told by Ariel that his captives are suffering, Prospero decides that forgiveness is the greater act, renounces his magic in a farewell to the spirits, and promises to break his staff and drown his book. He releases Alonso and the others, reveals himself as the wronged Duke of Milan, and shows them Ferdinand alive and playing chess with Miranda; Alonso restores the dukedom and blesses the marriage. Caliban, Stephano and Trinculo are driven in and sent to tidy the cell, Ariel is freed, and Prospero closes the play with an epilogue asking the audience's applause to release him.

Enter Prospero in his magic robes, and Ariel.

Prospero

Now does my project gather to a head:

Now my plan is coming to a head.

My charms crack not; my spirits obey, and time

Goes upright with his carriage.

My spells aren't failing, my spirits are obeying, and time is carrying its load upright.

How’s the day?

What time is it?

Ariel

On the sixth hour; at which time, my lord,

You said our work should cease.

Just gone six — the hour, my lord, when you said our work would stop.

Prospero

I did say so,

When first I rais’d the tempest.

I did say that, when I first raised the storm.

Say, my spirit,

How fares the King and ’s followers?

Tell me, spirit — how are the King and his followers doing?

Ariel

Confin’d together

In the same fashion as you gave in charge,

Just as you left them; all prisoners, sir,

In the line grove which weather-fends your cell;

Shut up together exactly as you ordered, just as you left them: all prisoners, sir, in the lime grove that shelters your cell from the weather.

They cannot budge till your release.

They can't move until you release them.

The King,

His brother, and yours, abide all three distracted,

And the remainder mourning over them,

Brimful of sorrow and dismay; but chiefly

Him you term’d, sir, “the good old lord, Gonzalo”.

The King, his brother, and your brother are all three out of their minds, and the rest are grieving over them, brimming with sorrow and dismay — above all the one you called the good old lord, Gonzalo.

His tears run down his beard, like winter’s drops

From eaves of reeds;

His tears run down his beard like winter rain off a thatched eave.

your charm so strongly works ’em,

That if you now beheld them, your affections

Would become tender.

Your spell is working on them so powerfully that if you saw them now your feelings would soften.

Prospero

Dost thou think so, spirit?

Do you really think so, spirit?

Ariel

Mine would, sir, were I human.

Mine would, sir, if I were human.

Prospero

And mine shall.

And mine will be.

Hast thou, which art but air, a touch, a feeling

Of their afflictions, and shall not myself,

One of their kind, that relish all as sharply

Passion as they, be kindlier mov’d than thou art?

If you, who are only air, feel some touch of their suffering, shouldn't I, one of their own kind, who feels everything as sharply as they do, be moved more kindly still?

Though with their high wrongs I am struck to th’ quick,

Yet with my nobler reason ’gainst my fury

Do I take part:

Their terrible wrongs cut me to the quick, but I'm taking the side of my nobler reason against my rage:

the rarer action is

In virtue than in vengeance:

the rarer achievement is in mercy, not in revenge.

they being penitent,

The sole drift of my purpose doth extend

Not a frown further.

They're penitent, so my whole purpose goes not one frown further.

Go release them, Ariel.

Go and release them, Ariel.

My charms I’ll break, their senses I’ll restore,

And they shall be themselves.

I'll break my spells, restore their senses, and let them be themselves again.

Ariel

I’ll fetch them, sir.

I'll fetch them, sir.

Exit.

Prospero

Ye elves of hills, brooks, standing lakes, and

groves;

You elves of the hills, brooks, still lakes and groves;

And ye that on the sands with printless foot

Do chase the ebbing Neptune, and do fly him

When he comes back;

and you who chase the retreating tide across the sand on footprintless feet and run from it when it comes back;

you demi-puppets that

By moonshine do the green sour ringlets make,

Whereof the ewe not bites;

you half-sized sprites who make the sour green fairy rings by moonlight that the ewe won't eat,

and you whose pastime

Is to make midnight mushrooms, that rejoice

To hear the solemn curfew;

and you whose amusement is growing mushrooms at midnight and who love to hear the solemn curfew bell —

by whose aid,

Weak masters though ye be, I have bedimm’d

The noontide sun, call’d forth the mutinous winds,

And ’twixt the green sea and the azur’d vault

Set roaring war:

with your help, feeble powers though you are, I have dimmed the noonday sun, called up rebellious winds, and set a roaring war between the green sea and the blue vault of the sky.

to the dread rattling thunder

Have I given fire, and rifted Jove’s stout oak

With his own bolt;

I have put fire into the dreadful crashing thunder and split Jove's own sturdy oak with his own bolt.

the strong-bas’d promontory

Have I made shake, and by the spurs pluck’d up

The pine and cedar:

I have shaken the promontory on its deep foundations and torn up pine and cedar by the roots.

graves at my command

Have wak’d their sleepers, op’d, and let ’em forth

By my so potent art.

At my command graves have woken their sleepers, opened, and let them walk out — that is how powerful my art has been.

But this rough magic

I here abjure;

But this violent magic I renounce here and now.

and, when I have requir’d

Some heavenly music,—which even now I do,—

To work mine end upon their senses that

This airy charm is for, I’ll break my staff,

Bury it certain fathoms in the earth,

And deeper than did ever plummet sound

I’ll drown my book.

When I have called for some heavenly music — as I am doing this moment — to work on the senses of the men this airy spell is meant for, I'll break my staff, bury it fathoms deep in the ground, and drown my book deeper than any sounding line has ever reached.

Solemn music.

Re-enter Ariel: after him, Alonso with a frantic gesture, attended by Gonzalo, Sebastian and Antonio in like manner, attended by Adrian and Francisco: they all enter the circle which Prospero had made, and there stand charmed; which Prospero observing, speaks.

Prospero

A solemn air, and the best comforter

To an unsettled fancy, cure thy brains,

Now useless, boil’d within thy skull!

A solemn melody, the best cure there is for a disordered mind — heal your brains, useless now and boiling inside your skulls.

There stand,

For you are spell-stopp’d.

Stand there; you're held by the spell.

Holy Gonzalo, honourable man,

Mine eyes, e’en sociable to the show of thine,

Fall fellowly drops.

Holy Gonzalo, honourable man, my eyes, keeping company with yours, are shedding tears alongside them.

The charm dissolves apace;

And as the morning steals upon the night,

Melting the darkness, so their rising senses

Begin to chase the ignorant fumes that mantle

Their clearer reason.

The charm is dissolving fast, and just as morning creeps over the night and melts the darkness away, so their returning senses are beginning to drive off the ignorant fog that clouds their clearer reason.

O good Gonzalo!

My true preserver, and a loyal sir

To him thou follow’st, I will pay thy graces

Home, both in word and deed.

Oh, good Gonzalo — my true saviour, and a loyal servant to the man you follow — I'll repay your kindness in full, in words and in deeds.

Most cruelly

Didst thou, Alonso, use me and my daughter:

Alonso, you treated me and my daughter with terrible cruelty,

Thy brother was a furtherer in the act.

and your brother helped you do it.

Thou art pinch’d for ’t now, Sebastian.

You're being punished for it now, Sebastian.

Flesh and blood,

You, brother mine, that entertain’d ambition,

Expell’d remorse and nature, who, with Sebastian,—

Whose inward pinches therefore are most strong,

Would here have kill’d your King; I do forgive thee,

Unnatural though thou art.

And you, my own flesh and blood, my brother, who indulged your ambition and drove out remorse and natural feeling, and who with Sebastian — whose inner torments are therefore the sharpest — would have murdered your king here: I forgive you, unnatural as you are.

Their understanding

Begins to swell, and the approaching tide

Will shortly fill the reasonable shores

That now lie foul and muddy.

Their understanding is beginning to rise, and the incoming tide will soon flood the shores of reason that now lie fouled with mud.

Not one of them

That yet looks on me, or would know me.

Not one of them can yet look at me or recognise me.

Ariel,

Fetch me the hat and rapier in my cell.

Ariel, fetch me the hat and sword from my cell.

Exit Ariel.

Prospero

I will discase me, and myself present

As I was sometime Milan.

I'll take off this costume and present myself as I once was, the Duke of Milan.

Quickly, spirit;

Thou shalt ere long be free.

Quickly, spirit — you'll be free before long.

Ariel re-enters, singing, and helps to attire Prospero.

Ariel comes back, singing, and helps dress Prospero.

ARIEL

ARIEL

_Where the bee sucks, there suck I:

Where the bee drinks, so do I;

In a cowslip’s bell I lie;

I lie inside a cowslip's bell,

There I couch when owls do cry.

and curl up there when owls cry out.

On the bat’s back I do fly

After summer merrily.

I ride on a bat's back, flying cheerfully after the summer.

Merrily, merrily shall I live now

Cheerfully, cheerfully I shall live from now on,

Under the blossom that hangs on the bough._

under the blossom hanging from the bough.

Prospero

Why, that’s my dainty Ariel!

That's my delicate Ariel!

I shall miss thee;

But yet thou shalt have freedom;

I'll miss you — but you'll have your freedom.

so, so, so.

There, there, there.

To the King’s ship, invisible as thou art:

Go to the King's ship, invisible as you are.

There shalt thou find the mariners asleep

Under the hatches;

You'll find the sailors asleep below the hatches.

the master and the boatswain

Being awake, enforce them to this place,

And presently, I prithee.

Wake the master and the boatswain and make them come here — right away, please.

Ariel

I drink the air before me, and return

Or ere your pulse twice beat.

I'll swallow the air ahead of me and be back before your pulse beats twice.

Exit.

Gonzalo

All torment, trouble, wonder and amazement

Inhabits here.

Nothing but torment, trouble, wonder and bewilderment lives in this place.

Some heavenly power guide us

Out of this fearful country!

Some heavenly power lead us out of this terrifying country!

Prospero

Behold, sir King,

The wronged Duke of Milan, Prospero.

Look, King — here is the wronged Duke of Milan, Prospero.

For more assurance that a living prince

Does now speak to thee, I embrace thy body;

And to prove that it is a living prince speaking to you, I embrace you.

And to thee and thy company I bid

A hearty welcome.

A warm welcome to you and your company.

Alonso

Whe’er thou be’st he or no,

Or some enchanted trifle to abuse me,

As late I have been, I not know:

Whether you're really him, or some enchanted trick to fool me as I've been fooled lately, I can't tell.

thy pulse

Beats, as of flesh and blood;

Your pulse beats like flesh and blood,

and, since I saw thee,

Th’ affliction of my mind amends, with which,

I fear, a madness held me:

and since I saw you the sickness in my mind — a madness, I think it was — has been easing.

this must crave,

An if this be at all, a most strange story.

If this is really happening, there must be a very strange story behind it.

Thy dukedom I resign, and do entreat

Thou pardon me my wrongs.

I give up your dukedom, and I beg you to forgive me for what I did to you.

But how should Prospero

Be living and be here?

But how can Prospero be alive, and here?

Prospero

First, noble friend,

Let me embrace thine age, whose honour cannot

Be measur’d or confin’d.

First, noble friend, let me embrace your old age, whose honour can't be measured or contained.

Gonzalo

Whether this be

Or be not, I’ll not swear.

Whether this is real or not, I won't swear either way.

Prospero

You do yet taste

Some subtleties o’ the isle, that will not let you

Believe things certain.

You're still tasting some of the island's illusions, which won't let you believe what's certain.

Welcome, my friends all.

Welcome, all my friends.

Aside to Sebastian and Antonio.

Prospero

But you, my brace of lords, were I

so minded,

I here could pluck his highness’ frown upon you,

And justify you traitors:

But as for you, my pair of lords — if I chose to, I could bring His Highness's anger down on you here and prove you traitors.

at this time

I will tell no tales.

For now, I'll tell no tales.

Aside.

Sebastian

The devil speaks in him.

The devil is speaking through him.

Prospero

No.

No, he isn't.

For you, most wicked sir, whom to call brother

Would even infect my mouth, I do forgive

Thy rankest fault, all of them; and require

My dukedom of thee, which perforce I know

Thou must restore.

As for you, most wicked sir, whom it would poison my mouth to call brother, I forgive your foulest offence — all of them — and I demand my dukedom back from you, which I know you're forced to return.

Alonso

If thou beest Prospero,

Give us particulars of thy preservation;

If you are Prospero, tell us how you survived,

How thou hast met us here, whom three hours since

Were wrack’d upon this shore;

and how you came to meet us here, when three hours ago we were wrecked on this shore —

where I have lost,—

How sharp the point of this remembrance is!—

My dear son Ferdinand.

and where I lost, oh, how the memory of it stabs, my dear son Ferdinand.

Prospero

I am woe for ’t, sir.

I'm sorry for it, sir.

Alonso

Irreparable is the loss, and patience

Says it is past her cure.

The loss can't be repaired, and Patience tells me she has no cure for it.

Prospero

I rather think

You have not sought her help,

I rather think you haven't asked her for help.

of whose soft grace,

For the like loss I have her sovereign aid,

And rest myself content.

For a loss just like it, I've had her gracious support, and I've made my peace with it.

Alonso

You the like loss!

You, a loss like mine?

Prospero

As great to me, as late;

As great, and just as recent —

and, supportable

To make the dear loss, have I means much weaker

Than you may call to comfort you,

and to make the loss bearable I have far weaker resources than you can call on.

for I

Have lost my daughter.

I have lost my daughter.

Alonso

A daughter?

A daughter?

O heavens, that they were living both in Naples,

The King and Queen there!

Heaven, if only the two of them were alive in Naples, king and queen there!

That they were, I wish

Myself were mudded in that oozy bed

Where my son lies.

If they were, I'd wish myself buried in the muddy bed where my son lies.

When did you lose your daughter?

When did you lose your daughter?

Prospero

In this last tempest.

In this last storm.

I perceive, these lords

At this encounter do so much admire

That they devour their reason, and scarce think

Their eyes do offices of truth, their words

Are natural breath;

I can see these lords are so astonished at this meeting that their reason is being swallowed by it; they scarcely believe their eyes are telling the truth or their words are their own breath.

but, howsoe’er you have

Been justled from your senses, know for certain

That I am Prospero, and that very duke

Which was thrust forth of Milan; who most strangely

Upon this shore, where you were wrack’d, was landed

To be the lord on’t.

But however much you've been knocked out of your senses, know this for certain: I am Prospero, the same duke who was thrown out of Milan, and who was strangely landed on this shore, where you were wrecked, to be its lord.

No more yet of this;

For ’tis a chronicle of day by day,

Not a relation for a breakfast nor

Befitting this first meeting.

No more of that for now — it's a day-by-day chronicle, not a story for breakfast, and not right for a first meeting.

Welcome, sir.

Welcome, sir.

This cell’s my court:

This cell is my court.

here have I few attendants,

And subjects none abroad:

I have few attendants here and no subjects anywhere else.

pray you, look in.

Please, look inside.

My dukedom since you have given me again,

I will requite you with as good a thing;

At least bring forth a wonder, to content ye

As much as me my dukedom.

Since you've given me back my dukedom, I'll repay you with something just as good — at least produce a wonder that will please you as much as my dukedom pleases me.

Here Prospero discovers Ferdinand and Miranda playing at chess.

Here Prospero reveals Ferdinand and Miranda playing chess.

Miranda

Sweet lord, you play me false.

My love, you're cheating.

Ferdinand

No, my dearest love,

I would not for the world.

No, my dearest, I wouldn't for all the world.

Miranda

Yes, for a score of kingdoms you should wrangle,

And I would call it fair play.

Yes you would — you'd cheat for a score of kingdoms, and I'd call it fair play.

Alonso

If this prove

A vision of the island, one dear son

Shall I twice lose.

If this turns out to be another of the island's illusions, I'll lose one dear son twice over.

Sebastian

A most high miracle!

An absolute miracle!

Ferdinand

Though the seas threaten, they are merciful.

The seas may threaten, but they're merciful.

I have curs’d them without cause.

I cursed them without reason.

Kneels to Alonso.

Alonso

Now all the blessings

Of a glad father compass thee about!

Now may all the blessings of a happy father surround you!

Arise, and say how thou cam’st here.

Get up, and tell me how you came to be here.

Miranda

O, wonder!

Oh, amazing!

How many goodly creatures are there here!

How many fine-looking creatures there are here!

How beauteous mankind is!

How beautiful humanity is!

O brave new world

That has such people in ’t!

What a wonderful new world, to have people like these in it!

Prospero

’Tis new to thee.

It's new to you.

Alonso

What is this maid, with whom thou wast at play?

Who is this girl you were playing with?

Your eld’st acquaintance cannot be three hours:

You can't have known her more than three hours.

Is she the goddess that hath sever’d us,

And brought us thus together?

Is she the goddess who separated us and then brought us back together like this?

Ferdinand

Sir, she is mortal;

But by immortal Providence she’s mine.

Sir, she's mortal — but by immortal providence she's mine.

I chose her when I could not ask my father

For his advice, nor thought I had one.

I chose her at a time when I couldn't ask my father's advice, and didn't think I still had a father.

She

Is daughter to this famous Duke of Milan,

Of whom so often I have heard renown,

But never saw before; of whom I have

Receiv’d a second life;

She is the daughter of this famous Duke of Milan, whose reputation I've heard about so often but who I'd never met before, and from whom I've received a second life.

and second father

This lady makes him to me.

This lady makes him a second father to me.

Alonso

I am hers:

And I'm her second father.

But, O, how oddly will it sound that I

Must ask my child forgiveness!

But how strange it will sound that I have to ask my own child's forgiveness.

Prospero

There, sir, stop:

Stop there, sir.

Let us not burden our remembrances with

A heaviness that’s gone.

Let's not weigh our memories down with a grief that's over.

Gonzalo

I have inly wept,

Or should have spoke ere this.

I've been weeping inwardly, or I'd have spoken before now.

Look down, you gods,

And on this couple drop a blessed crown;

Look down, you gods, and drop a blessed crown on this couple —

For it is you that have chalk’d forth the way

Which brought us hither.

because you are the ones who marked out the path that brought us here.

Alonso

I say, Amen, Gonzalo!

Amen to that, Gonzalo!

Gonzalo

Was Milan thrust from Milan, that his issue

Should become Kings of Naples?

Was Milan driven out of Milan so that his descendants could become kings of Naples?

O, rejoice

Beyond a common joy, and set it down

With gold on lasting pillars:

Rejoice beyond ordinary joy, and write it in gold on lasting pillars:

in one voyage

Did Claribel her husband find at Tunis,

on one voyage Claribel found her husband in Tunis,

And Ferdinand, her brother, found a wife

Where he himself was lost;

and Ferdinand her brother found a wife in the very place where he was lost;

Prospero his dukedom

In a poor isle;

Prospero found his dukedom on a poor island;

and all of us ourselves,

When no man was his own.

and all of us found ourselves, when not one man was in his right mind.

To Ferdinand and Miranda.

Alonso

Give me your hands:

Give me your hands.

Let grief and sorrow still embrace his heart

That doth not wish you joy!

May grief and sorrow live in the heart of anyone who doesn't wish you joy.

Gonzalo

Be it so.

So be it.

Amen!

Amen!

Re-enter Ariel with the Master and Boatswain amazedly following.

Gonzalo

O look, sir, look, sir!

Look, sir, look!

Here are more of us.

More of us.

I prophesied, if a gallows were on land,

This fellow could not drown.

I predicted that as long as there was a gallows on land, this fellow couldn't drown.

Now, blasphemy,

That swear’st grace o’erboard, not an oath on shore?

Well then, you blasphemer, who swore all grace overboard — not one oath now you're on shore?

Hast thou no mouth by land?

Have you no mouth on dry land?

What is the news?

What's the news?

Boatswain

The best news is that we have safely found

Our King and company.

The best news is that we've safely found our King and his company.

The next, our ship,—

Which but three glasses since, we gave out split,

Is tight and yare, and bravely rigg’d as when

We first put out to sea.

The next is that our ship — which only three hours ago we reported as split apart — is sound and quick and as finely rigged as when we first put out to sea.

Aside to Prospero.

Ariel

Sir, all this service

Have I done since I went.

Sir, I've done all this since I left you.

Aside to Ariel.

Prospero

My tricksy spirit!

My clever spirit!

Alonso

These are not natural events; they strengthen

From strange to stranger.

These aren't natural events; they get stranger and stranger.

Say, how came you hither?

Tell me, how did you get here?

Boatswain

If I did think, sir, I were well awake,

I’d strive to tell you.

If I thought I were properly awake, sir, I'd try to tell you.

We were dead of sleep,

And,—how, we know not,—all clapp’d under hatches,

We were dead asleep, and — we've no idea how — all shut below the hatches.

Where, but even now, with strange and several noises

Of roaring, shrieking, howling, jingling chains,

And mo diversity of sounds, all horrible,

We were awak’d;

Just now we were woken by strange assorted noises: roaring, shrieking, howling, chains rattling, and all sorts of other horrible sounds.

straightway, at liberty:

Where we, in all her trim, freshly beheld

Our royal, good, and gallant ship; our master

Cap’ring to eye her.

Straight away we were free, and there we saw our royal, fine, gallant ship in full trim, with our master skipping about at the sight of her.

On a trice, so please you,

Even in a dream, were we divided from them,

And were brought moping hither.

In an instant, if you'll believe it, as if in a dream we were separated from the others and brought here in a daze.

Aside to Prospero.

Ariel

Was’t well done?

Was that well done?

Aside to Ariel.

Prospero

Bravely, my diligence.

Splendidly, my diligent one.

Thou shalt be free.

You shall be free.

Alonso

This is as strange a maze as e’er men trod;

This is as strange a maze as any man ever walked into,

And there is in this business more than nature

Was ever conduct of:

and there's more in this business than nature ever managed on her own.

some oracle

Must rectify our knowledge.

Some oracle will have to set our understanding straight.

Prospero

Sir, my liege,

Do not infest your mind with beating on

The strangeness of this business.

Sir, my lord, don't torment your mind by hammering away at how strange all this is.

At pick’d leisure,

Which shall be shortly, single I’ll resolve you,

Which to you shall seem probable, of every

These happen’d accidents;

At a chosen moment, which will be soon, I'll explain it to you privately — and it will seem plausible to you — every one of these events.

till when, be cheerful

And think of each thing well.

Until then be cheerful and think well of everything.

[_Aside to Ariel._] Come hither, spirit;

[Aside to Ariel.] Come here, spirit.

Set Caliban and his companions free;

Set Caliban and his companions free;

Untie the spell.

undo the spell.

Exit Ariel.

Prospero

How fares my gracious sir?

How is my gracious lord?

There are yet missing of your company

Some few odd lads that you remember not.

There are still a few odd fellows of your party missing that you've forgotten about.

Re-enter Ariel driving in Caliban, Stephano and Trinculo in their stolen apparel.

Stephano

Every man shift for all the rest, and let no man take care for himself,

for all is but fortune.—

Let every man look after everyone else and nobody look after himself, since it's all just luck anyway.

Coragio! bully-monster, coragio!

— Courage, monster old chap, courage!

Trinculo

If these be true spies which I wear in my head, here’s a goodly sight.

If these eyes in my head are reliable scouts, that's a fine sight.

Caliban

O Setebos, these be brave spirits indeed.

Oh, Setebos, these really are splendid spirits!

How fine my master is!

How fine my master looks.

I am afraid

He will chastise me.

I'm afraid he'll punish me.

Sebastian

Ha, ha!

Ha!

What things are these, my lord Antonio?

What are these things, my lord Antonio?

Will money buy them?

Can they be bought?

Antonio

Very like;

Very likely.

one of them

Is a plain fish, and, no doubt, marketable.

One of them is plainly a fish, and no doubt saleable.

Prospero

Mark but the badges of these men, my lords,

Then say if they be true.

Look at these men's uniforms, my lords, and then say whether they're honest.

This mis-shapen knave,

His mother was a witch; and one so strong

That could control the moon, make flows and ebbs,

And deal in her command without her power.

This deformed rogue's mother was a witch, and a powerful one — she could control the moon, make the tides rise and fall, and wield the moon's authority beyond even her own power.

These three have robb’d me; and this demi-devil,

For he’s a bastard one, had plotted with them

To take my life.

These three have robbed me, and this half-devil — because that's what he is, a bastard one — plotted with them to kill me.

Two of these fellows you

Must know and own;

Two of these men you must recognise as your own.

this thing of darkness I

Acknowledge mine.

This thing of darkness I acknowledge as mine.

Caliban

I shall be pinch’d to death.

I'm going to be pinched to death.

Alonso

Is not this Stephano, my drunken butler?

Isn't that Stephano, my drunken butler?

Sebastian

He is drunk now:

He's drunk right now.

where had he wine?

Where did he get wine?

Alonso

And Trinculo is reeling-ripe:

And Trinculo is staggering ripe.

where should they

Find this grand liquor that hath gilded ’em?

Where would they find this magnificent liquor that has gilded them?

How cam’st thou in this pickle?

How did you get into this state?

Trinculo

I have been in such a pickle since I saw you last that, I fear me, will

never out of my bones.

I've been in such a pickle since I last saw you that I doubt it will ever come out of my bones.

I shall not fear fly-blowing.

At least I won't have to worry about flies laying eggs in me.

Sebastian

Why, how now, Stephano!

Well, what have we here, Stephano!

Stephano

O! touch me not.

Oh, don't touch me.

I am not Stephano, but a cramp.

I'm not Stephano — I'm one big cramp.

Prospero

You’d be King o’ the isle, sirrah?

You wanted to be king of the island, did you?

Stephano

I should have been a sore one, then.

I'd have been a sore one, then.

Alonso

This is as strange a thing as e’er I look’d on.

This is the strangest thing I've ever laid eyes on.

Pointing to Caliban.

Prospero

He is as disproportioned in his manners

As in his shape.

He's as misshapen in his behaviour as he is in his body.

Go, sirrah, to my cell;

Take with you your companions.

Go to my cell, fellow, and take your companions with you.

As you look

To have my pardon, trim it handsomely.

If you're hoping for my pardon, tidy it up properly.

Caliban

Ay, that I will;

I will, yes —

and I’ll be wise hereafter,

And seek for grace.

and I'll be wiser from now on and try to earn some grace.

What a thrice-double ass

Was I, to take this drunkard for a god,

And worship this dull fool!

What a triple-thick fool I was to take this drunk for a god and worship this stupid clown!

Prospero

Go to; away!

Go on, off with you.

Alonso

Hence, and bestow your luggage where you found it.

Get out, and put your stolen goods back where you found them.

Sebastian

Or stole it, rather.

Where you stole them, rather.

Exeunt Caliban, Stephano and Trinculo.

Prospero

Sir, I invite your Highness and your train

To my poor cell, where you shall take your rest

For this one night;

Sir, I invite Your Highness and your company to my poor cell, where you'll rest for this one night.

which, part of it, I’ll waste

With such discourse as, I not doubt, shall make it

Go quick away:

Part of it I'll pass with talk that I'm sure will make it go by quickly:

the story of my life

And the particular accidents gone by

Since I came to this isle:

the story of my life, and everything that has happened since I came to this island.

and in the morn

I’ll bring you to your ship, and so to Naples,

Where I have hope to see the nuptial

Of these our dear-belov’d solemnized;

And in the morning I'll take you to your ship, and so to Naples, where I hope to see these two dear young people married.

And thence retire me to my Milan, where

Every third thought shall be my grave.

After that I'll retire to my Milan, where every third thought will be of my grave.

Alonso

I long

To hear the story of your life,

I long to hear the story of your life.

which must

Take the ear strangely.

It must be extraordinary to listen to.

Prospero

I’ll deliver all;

I'll tell you everything —

And promise you calm seas, auspicious gales,

And sail so expeditious that shall catch

Your royal fleet far off.

and I promise you calm seas, favourable winds, and sailing so swift that you'll catch up with your fleet far ahead.

[_Aside to Ariel._] My Ariel,

chick,

That is thy charge:

[Aside to Ariel.] My Ariel, my chick, that's your last task.

then to the elements

Be free, and fare thou well!

Then be free among the elements, and farewell.

Please you, draw near.

— Please, come this way.

Exeunt.

Prospero

EPILOGUE

EPILOGUE

Prospero

Now my charms are all o’erthrown,

And what strength I have’s mine own,

Which is most faint.

Now that my spells are all overthrown, the only strength I have is my own, and that is very little.

Now ’tis true,

I must be here confin’d by you,

Or sent to Naples.

It's true, now, that I have to stay confined here by you, or be sent on to Naples.

Let me not,

Since I have my dukedom got,

And pardon’d the deceiver, dwell

In this bare island by your spell,

Since I've got my dukedom back and forgiven the man who cheated me, don't leave me stranded on this bare island by your spell —

But release me from my bands

With the help of your good hands.

set me free from my chains with the help of your good hands.

Gentle breath of yours my sails

Must fill, or else my project fails,

Which was to please.

Your gentle breath has to fill my sails, or my whole purpose fails, and that purpose was to please you.

Now I want

Spirits to enforce, art to enchant;

And my ending is despair,

Unless I be reliev’d by prayer,

Which pierces so that it assaults

Mercy itself, and frees all faults.

I have no spirits left to command now, no magic to enchant with, and my end here is despair unless prayer relieves me — prayer that pierces so far it storms Mercy herself and cancels every fault.

As you from crimes would pardon’d be,

Let your indulgence set me free.

Just as you would want to be pardoned for your own wrongs, let your generosity set me free.

Exit.

The Tempest Act 5, Scene 1 summary

Told by Ariel that his captives are suffering, Prospero decides that forgiveness is the greater act, renounces his magic in a farewell to the spirits, and promises to break his staff and drown his book. He releases Alonso and the others, reveals himself as the wronged Duke of Milan, and shows them Ferdinand alive and playing chess with Miranda; Alonso restores the dukedom and blesses the marriage. Caliban, Stephano and Trinculo are driven in and sent to tidy the cell, Ariel is freed, and Prospero closes the play with an epilogue asking the audience's applause to release him.

Who appears in this scene

Prospero, Ariel, Gonzalo, Alonso, Sebastian, Miranda, Ferdinand, Antonio, Boatswain, Stephano, Trinculo, Caliban — Before the cell of Prospero.

Famous lines in The Tempest Act 5, Scene 1, explained

the rarer action is / In virtue than in vengeance (line 31)
The hinge of the whole play. Ariel, who is not human, tells Prospero he would pity the prisoners if he could feel — and Prospero, shamed by a spirit, decides that forgiveness is the harder and finer choice than revenge. Everything he has built over twelve years turns on this line, and it is what converts The Tempest from a revenge play into a reconciliation.
But this rough magic / I here abjure (line 56)
After listing everything his power has let him do — darkening the sun, splitting oaks with lightning, waking the dead — Prospero renounces it. Calling it "rough" admits the magic was violent and coercive, not benign, and the renunciation is voluntary and complete: he does not lose his power, he gives it up while it still works.
I’ll break my staff, / Bury it certain fathoms in the earth, / And deeper than did ever plummet sound / I’ll drown my book. (line 60)
Prospero destroys the two sources of his power, burying the staff and sinking the book beyond any depth a sounding line has reached. Caliban had told Stephano that the books were the thing to seize; Prospero now does it to himself. Actors and audiences have long heard Shakespeare's own retirement in the lines, since The Tempest is among the last plays he wrote alone.
O, wonder! / How many goodly creatures are there here! / How beauteous mankind is! O brave new world / That has such people in ’t! (line 208)
Miranda, seeing a crowd of people for the first time in her life, is overwhelmed by how beautiful humanity is — and the men she is admiring include the two who tried to kill her father and the two who plotted murder three hours ago. Prospero's dry reply, "'Tis new to thee," is the point: her wonder is real and her judgement is worthless. Aldous Huxley took the phrase for a novel about a society that has engineered exactly the innocence she has.
this thing of darkness I / Acknowledge mine. (line 315)
Prospero tells the lords to claim their own servants, then claims Caliban. Read one way it is a slave-owner asserting property; read another it is an admission of responsibility, even of kinship — that Caliban is his to answer for, and perhaps that the darkness is partly his own. Shakespeare gives no clue which, and productions have staged the line as everything from a sneer to an apology.
As you from crimes would pardon’d be, / Let your indulgence set me free. (line 382)
The last two lines of the play. Prospero, with his magic gone, asks the audience to applaud so he can leave the stage — but the words are borrowed from prayer, and he is asking to be forgiven the way they would want to be forgiven. Having just pardoned Antonio, he now puts himself in the position of the one needing pardon, which quietly makes the audience complete the act of mercy the play has been arguing for.

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About this translation: the original text follows the public-domain Project Gutenberg Globe edition; the modern English translation was written in-house for Polytranslator and is reviewed on an ongoing basis (last revised August 2026). Free to print and photocopy for classroom use. Cite as: “The Tempest, Act 5, Scene 1. Polytranslator side-by-side translation, polytranslator.com/shakespeare/the-tempest/act-5-scene-1.”

Studying the language itself? Our Shakespearean English course teaches thou/thee, the verbs, and the meter — free through Unit 2. Or try the Shakespearean English translator.