Romeo and Juliet Translation

Romeo and JulietAct 3, Scene 1

original text and modern English, side by side

A public Place · Benvolio, Mercutio, Tybalt, Romeo, First Citizen, Prince, Lady Capulet, Montague

Romeo has just secretly married Juliet, which makes hot-tempered Tybalt — Juliet's cousin — his kinsman, though nobody in the street knows it. Tybalt has been looking to challenge Romeo for crashing the Capulets' party, and on this blazing afternoon Benvolio is nervous about a fight.

Enter Mercutio, Benvolio, Page and Servants

Benvolio

I pray thee, good Mercutio, let’s retire:

Please, good Mercutio, let's go home.

The day is hot, the Capulets abroad,

And if we meet, we shall not scape a brawl,

The day is hot, the Capulets are out in the streets, and if we run into them we won't escape a fight.

For now these hot days, is the mad blood stirring.

On hot days like these, the mad blood starts boiling.

Mercutio

Thou art like one of these fellows that, when he enters the confines of

a tavern, claps me his sword upon the table, and says ‘God send me no

need of thee!’ and by the operation of the second cup draws him on the

drawer, when indeed there is no need.

You're like one of those fellows who walks into a tavern, slaps his sword down on the table, and says, 'God grant I never need you!' — and by the time the second cup of wine kicks in, he's drawing it on the waiter for no reason at all.

Benvolio

Am I like such a fellow?

Am I really like that?

Mercutio

Come, come, thou art as hot a Jack in thy mood as any in Italy; and as

soon moved to be moody, and as soon moody to be moved.

Come on, come on — when you're in a mood, you've got as hot a temper as any man in Italy: as quickly provoked into a bad mood, and in a bad mood as quick to be provoked.

Benvolio

And what to?

Provoked to what?

Mercutio

Nay, an there were two such, we should have none shortly, for one would

kill the other.

Well, if there were two like you, we'd soon have neither, because one would kill the other.

Thou?

You?

Why, thou wilt quarrel with a man that hath a

hair more or a hair less in his beard than thou hast.

Why, you'd pick a fight with a man for having one hair more or one hair less in his beard than you have.

Thou wilt quarrel

with a man for cracking nuts, having no other reason but because thou

hast hazel eyes.

You'd quarrel with a man for cracking nuts, for no reason except that you have hazel eyes.

What eye but such an eye would spy out such a quarrel?

What eye but yours would spot a quarrel in that?

Thy head is as full of quarrels as an egg is full of meat, and yet thy

head hath been beaten as addle as an egg for quarrelling.

Your head is as full of quarrels as an egg is full of yolk, and yet it's been beaten as scrambled as an egg from all your quarreling.

Thou hast

quarrelled with a man for coughing in the street, because he hath

wakened thy dog that hath lain asleep in the sun.

You picked a fight with a man for coughing in the street because he woke your dog that was sleeping in the sun.

Didst thou not fall

out with a tailor for wearing his new doublet before Easter?

Didn't you fall out with a tailor for wearing his new jacket before Easter?

with

another for tying his new shoes with an old riband?

And with another man for tying his new shoes with old laces?

And yet thou wilt

tutor me from quarrelling!

And you're going to lecture me about quarreling!

Benvolio

And I were so apt to quarrel as thou art, any man should buy the fee

simple of my life for an hour and a quarter.

If I were as quick to quarrel as you are, anybody could buy the complete rights to my life for the price of an hour and a quarter of it — that's how short it would be.

Mercutio

The fee simple!

'The complete rights'!

O simple!

Oh, what a simpleton!

Enter Tybalt and others

Benvolio

By my head, here comes the Capulets.

I swear on my head, here come the Capulets.

Mercutio

By my heel, I care not.

I swear on my heel, I don't care.

Tybalt

Follow me close, for I will speak to them.

Stay close behind me — I'm going to speak to them.

Gentlemen, good-den: a word with one of you.

Gentlemen, good evening. A word with one of you.

Mercutio

And but one word with one of us?

Only one word with one of us?

Couple it with something; make it a

word and a blow.

Pair it with something else — make it a word and a blow.

Tybalt

You shall find me apt enough to that, sir, and you will give me

occasion.

You'll find me ready enough for that, sir, if you give me a reason.

Mercutio

Could you not take some occasion without giving?

Couldn't you find a reason yourself, without being given one?

Tybalt

Mercutio, thou consortest with Romeo.

Mercutio, you consort with Romeo.

Mercutio

Consort?

'Consort'?

What, dost thou make us minstrels?

What, do you take us for a band of minstrels?

And thou make minstrels of

us, look to hear nothing but discords.

If you're going to make musicians of us, expect to hear nothing but harsh notes.

Here’s my fiddlestick, here’s

that shall make you dance.

Here's my fiddle-bow — my sword — and it'll make you dance.

Zounds, consort!

By God — 'consort'!

Benvolio

We talk here in the public haunt of men.

We're talking here in a public place, in front of everyone.

Either withdraw unto some private place,

And reason coldly of your grievances,

Or else depart;

Either withdraw somewhere private and discuss your grievances calmly, or else leave.

here all eyes gaze on us.

Out here, all eyes are on us.

Mercutio

Men’s eyes were made to look, and let them gaze.

Men's eyes were made to look, so let them stare.

I will not budge for no man’s pleasure, I.

I won't budge to please any man, not I.

Enter Romeo

Tybalt

Well, peace be with you, sir, here comes my man.

Well, peace be with you, sir. Here comes my man.

Mercutio

But I’ll be hanged, sir, if he wear your livery.

I'll be hanged, sir, if he wears your servant's uniform.

Marry, go before to field, he’ll be your follower;

Your worship in that sense may call him man.

But walk ahead of him to the dueling field and he'll 'follow' you, all right — in that sense your worship can call him your 'man.'

Tybalt

Romeo, the love I bear thee can afford

No better term than this: Thou art a villain.

Romeo, the love I bear you can supply no better term than this: you are a villain.

Romeo

Tybalt, the reason that I have to love thee

Doth much excuse the appertaining rage

To such a greeting.

Tybalt, the reason I have to love you excuses most of the rage that would normally answer a greeting like that.

Villain am I none;

Therefore farewell;

I am no villain — so, farewell.

I see thou know’st me not.

I can see you don't know who I am.

Tybalt

Boy, this shall not excuse the injuries

That thou hast done me,

Boy, that doesn't excuse the injuries you've done me.

therefore turn and draw.

So turn around and draw your sword.

Romeo

I do protest I never injur’d thee,

I swear I never injured you.

But love thee better than thou canst devise

Till thou shalt know the reason of my love.

In fact I love you more than you can imagine, until you learn the reason for my love.

And so good Capulet, which name I tender

As dearly as mine own, be satisfied.

And so, good Capulet — a name I hold as dear as my own — be satisfied with that.

Mercutio

O calm, dishonourable, vile submission!

Oh, this calm, dishonorable, disgraceful surrender!

Draws.

Mercutio

Alla stoccata carries it away

So a fancy Italian sword-thrust wins the day, does it?

Tybalt, you rat-catcher, will you walk?

Tybalt, you rat-catcher, will you step aside with me?

Tybalt

What wouldst thou have with me?

What do you want with me?

Mercutio

Good King of Cats, nothing but one of your nine lives;

Good King of Cats, nothing but one of your nine lives.

that I mean to

make bold withal, and, as you shall use me hereafter, dry-beat the rest

of the eight.

I mean to help myself to that one, and depending on how you treat me afterwards, beat the other eight out of you too.

Will you pluck your sword out of his pilcher by the ears?

Will you grab your sword by the ears and pull it out of its scabbard?

Make haste, lest mine be about your ears ere it be out.

Hurry, or mine will be about your ears before yours is even out.

Drawing.] I am for you

Romeo

Gentle Mercutio, put thy rapier up.

Gentle Mercutio, put your rapier away.

Mercutio

Come, sir, your passado.

Come on, sir — let's see that passado, your fancy fencing thrust.

They fight.

Romeo

Draw, Benvolio; beat down their weapons.

Draw, Benvolio — let's beat down their weapons.

Gentlemen, for shame, forbear this outrage,

Gentlemen, for shame, stop this outrage!

Tybalt, Mercutio, the Prince expressly hath

Forbid this bandying in Verona streets.

Tybalt! Mercutio! The Prince has expressly forbidden this brawling in the streets of Verona.

Hold, Tybalt!

Stop, Tybalt!

Good Mercutio!

Good Mercutio!

Exeunt Tybalt with his Partizans.

Mercutio

I am hurt.

I'm hurt.

A plague o’ both your houses.

A plague on both your houses.

I am sped.

I'm done for.

Is he gone, and hath nothing?

Is he gone — without taking a scratch?

Benvolio

What, art thou hurt?

What, are you hurt?

Mercutio

Ay, ay, a scratch, a scratch.

Yes, yes, a scratch, a scratch.

Marry, ’tis enough.

But believe me, it's enough.

Where is my page?

Where's my page?

Go villain, fetch a surgeon.

Go, boy, fetch a surgeon.

Exit Page.

Romeo

Courage, man; the hurt cannot be much.

Courage, man. The wound can't be that bad.

Mercutio

No, ’tis not so deep as a well, nor so wide as a church door, but ’tis

enough, ’twill serve.

No, it's not as deep as a well or as wide as a church door, but it's enough — it'll do the job.

Ask for me tomorrow, and you shall find me a

grave man.

Ask for me tomorrow, and you'll find me a grave man.

I am peppered, I warrant, for this world.

I'm finished in this world, I guarantee it.

A plague o’ both

your houses.

A plague on both your houses!

Zounds, a dog, a rat, a mouse, a cat, to scratch a man to

death.

By God — that a dog, a rat, a mouse, a cat could scratch a man to death!

A braggart, a rogue, a villain, that fights by the book of

arithmetic!

A braggart, a rogue, a villain who fights by the arithmetic textbook!

—Why the devil came you between us?

Why the devil did you come between us?

I was hurt under your

arm.

I was stabbed under your arm.

Romeo

I thought all for the best.

I thought it was for the best.

Mercutio

Help me into some house, Benvolio,

Or I shall faint.

Help me into some house, Benvolio, or I'll faint.

A plague o’ both your houses.

A plague on both your houses!

They have made worms’ meat of me.

They've made worms' food of me.

I have it, and soundly too.

I've got it, and got it good.

Your houses!

Your houses!

Exeunt Mercutio and Benvolio.

Romeo

This gentleman, the Prince’s near ally,

My very friend, hath got his mortal hurt

In my behalf; my reputation stain’d

With Tybalt’s slander,—Tybalt, that an hour

Hath been my cousin.

This gentleman, the Prince's close kinsman, my true friend, has taken his death-wound defending me — and my reputation is stained by Tybalt's insult; Tybalt, who has been my cousin for all of an hour.

O sweet Juliet,

Thy beauty hath made me effeminate

And in my temper soften’d valour’s steel.

O sweet Juliet, your beauty has made me soft, and melted the steel of my courage.

Re-enter Benvolio

Benvolio

O Romeo, Romeo, brave Mercutio’s dead,

O Romeo, Romeo, brave Mercutio's dead!

That gallant spirit hath aspir’d the clouds,

Which too untimely here did scorn the earth.

That gallant spirit has soared up to the clouds, scorning the earth far too soon.

Romeo

This day’s black fate on mo days doth depend;

This day's black fate hangs over the days still to come.

This but begins the woe others must end.

This only begins the sorrow that other days must end.

Re-enter Tybalt

Benvolio

Here comes the furious Tybalt back again.

Here comes the furious Tybalt back again.

Romeo

Again in triumph, and Mercutio slain?

Back in triumph, with Mercutio slain?

Away to heaven respective lenity,

And fire-ey’d fury be my conduct now!

Then off to heaven with restraint and mercy — let fire-eyed fury guide me now!

Now, Tybalt, take the ‘villain’ back again

That late thou gav’st me, for Mercutio’s soul

Is but a little way above our heads,

Staying for thine to keep him company.

Now, Tybalt, take back that 'villain' you called me just now, because Mercutio's soul is hovering only a little way above our heads, waiting for yours to keep him company.

Either thou or I, or both, must go with him.

Either you or I — or both of us — must go with him.

Tybalt

Thou wretched boy, that didst consort him here,

Shalt with him hence.

You wretched boy — you kept his company here, and you'll keep it in the next world.

Romeo

This shall determine that.

This will decide that.

They fight; Tybalt falls.

Benvolio

Romeo, away, be gone!

Romeo, run, get out of here!

The citizens are up, and Tybalt slain.

The citizens are up in arms and Tybalt's dead.

Stand not amaz’d.

Don't stand there stunned.

The Prince will doom thee death

If thou art taken.

The Prince will sentence you to death if you're caught.

Hence, be gone, away!

Go, get out of here, away!

Romeo

O, I am fortune’s fool!

Oh, I am fortune's fool!

Benvolio

Why dost thou stay?

Why are you still standing here?

Exit Romeo.

Enter Citizens

First Citizen

Which way ran he that kill’d Mercutio?

Which way did he run — the man who killed Mercutio?

Tybalt, that murderer, which way ran he?

Tybalt, that murderer — which way did he go?

Benvolio

There lies that Tybalt.

That's Tybalt lying there.

First Citizen

Up, sir, go with me.

Get up, sir, and come with me.

I charge thee in the Prince’s name obey.

In the Prince's name, I order you to obey.

Enter Prince, attended; Montague, Capulet, their Wives and others

Prince

Where are the vile beginners of this fray?

Where are the vile men who began this fight?

Benvolio

O noble Prince, I can discover all

The unlucky manage of this fatal brawl.

Noble Prince, I can reveal the whole unlucky course of this fatal brawl.

There lies the man, slain by young Romeo,

That slew thy kinsman, brave Mercutio.

There lies the man, killed by young Romeo, who had killed your kinsman, brave Mercutio.

Lady Capulet

Tybalt, my cousin!

Tybalt, my nephew!

O my brother’s child!

Oh, my brother's child!

O Prince!

O Prince!

O husband!

O husband!

O, the blood is spill’d

Of my dear kinsman!

Oh, the blood of my dear kinsman is spilled!

Prince, as thou art true,

For blood of ours shed blood of Montague.

Prince, if you are true to your word, then for blood of ours, shed the blood of a Montague.

O cousin, cousin.

O nephew, nephew!

Prince

Benvolio, who began this bloody fray?

Benvolio, who began this bloody fight?

Benvolio

Tybalt, here slain, whom Romeo’s hand did slay;

Tybalt, lying here dead, whom Romeo's hand killed.

Romeo, that spoke him fair, bid him bethink

How nice the quarrel was, and urg’d withal

Your high displeasure.

Romeo spoke to him courteously, asked him to consider how trivial the quarrel was, and reminded him besides how much it would displease you.

All this uttered

With gentle breath, calm look, knees humbly bow’d

Could not take truce with the unruly spleen

Of Tybalt,

All of this — said gently, with a calm look and knees humbly bowed — could not buy a truce from Tybalt's ungovernable temper.

deaf to peace, but that he tilts

With piercing steel at bold Mercutio’s breast,

Deaf to peace, he lunged with his piercing blade at brave Mercutio's chest.

Who, all as hot, turns deadly point to point,

And, with a martial scorn, with one hand beats

Cold death aside, and with the other sends

It back to Tybalt, whose dexterity

Retorts it.

Mercutio, just as hot, turned deadly point against point and, with a soldier's contempt, beat cold death aside with one hand and with the other sent it back at Tybalt, whose skill parried it.

Romeo he cries aloud,

‘Hold, friends! Friends, part!’ and swifter than his tongue,

His agile arm beats down their fatal points,

And ’twixt them rushes;

Romeo shouted, 'Stop, friends! Friends, break it up!' — and quicker than his tongue, his agile arm knocked down their deadly blades and rushed between them.

underneath whose arm

An envious thrust from Tybalt hit the life

Of stout Mercutio,

Under that arm, a spiteful thrust from Tybalt took the life of bold Mercutio.

and then Tybalt fled.

But by and by comes back to Romeo,

Who had but newly entertain’d revenge,

And to’t they go like lightning;

Then Tybalt fled — but before long he came back to Romeo, who had only just conceived of revenge, and they went at it like lightning.

for, ere I

Could draw to part them was stout Tybalt slain;

Before I could draw my sword to part them, strong Tybalt was killed,

And as he fell did Romeo turn and fly.

and as he fell, Romeo turned and ran.

This is the truth, or let Benvolio die.

This is the truth, or let Benvolio die.

Lady Capulet

He is a kinsman to the Montague.

Affection makes him false, he speaks not true.

He's a relative of the Montagues; affection makes him lie — he isn't telling the truth.

Some twenty of them fought in this black strife,

And all those twenty could but kill one life.

Some twenty of them fought in this black feud, and all twenty together could only manage to kill one man.

I beg for justice, which thou, Prince, must give;

I demand justice, Prince, and you must give it.

Romeo slew Tybalt, Romeo must not live.

Romeo killed Tybalt; Romeo must not live.

Prince

Romeo slew him, he slew Mercutio.

Romeo killed him, but he killed Mercutio.

Who now the price of his dear blood doth owe?

So who now owes the price of Mercutio's dear blood?

Montague

Not Romeo, Prince, he was Mercutio’s friend;

Not Romeo, Prince — he was Mercutio's friend.

His fault concludes but what the law should end,

The life of Tybalt.

His fault only finished what the law would have ended anyway: the life of Tybalt.

Prince

And for that offence

Immediately we do exile him hence.

And for that offense, we immediately exile him from Verona.

I have an interest in your hate’s proceeding,

My blood for your rude brawls doth lie a-bleeding.

I have a stake in your feuding now: my own blood lies bleeding because of your crude brawls.

But I’ll amerce you with so strong a fine

That you shall all repent the loss of mine.

But I'll punish you with so heavy a fine that you will all regret the loss of my kinsman.

I will be deaf to pleading and excuses;

Nor tears nor prayers shall purchase out abuses.

Therefore use none.

I will be deaf to pleading and excuses; neither tears nor prayers will buy off these offenses, so don't bother with either.

Let Romeo hence in haste,

Else, when he is found, that hour is his last.

Let Romeo leave at once, for if he is found here, that hour will be his last.

Bear hence this body, and attend our will.

Carry away this body, and await my decision.

Mercy but murders, pardoning those that kill.

Mercy only murders when it pardons those who kill.

Exeunt.

Romeo and Juliet Act 3, Scene 1 summary

Romeo has just secretly married Juliet, which makes hot-tempered Tybalt — Juliet's cousin — his kinsman, though nobody in the street knows it. Tybalt has been looking to challenge Romeo for crashing the Capulets' party, and on this blazing afternoon Benvolio is nervous about a fight.

Who appears in this scene

Benvolio, Mercutio, Tybalt, Romeo, First Citizen, Prince, Lady Capulet, Montague — A public Place.

Famous lines in Romeo and Juliet Act 3, Scene 1, explained

A plague o’ both your houses. (line 80)
The dying Mercutio curses Montagues and Capulets alike, blaming both families' senseless feud for his death. He belongs to neither house, so the line indicts the feud for destroying bystanders. Repeated three times as he dies, it works as a genuine curse that the rest of the play grimly fulfills.
Ask for me tomorrow, and you shall find me a grave man. (line 87)
Mercutio dies as he lived — joking. 'Grave' puns on both 'serious' and the grave he'll be buried in: by tomorrow he will be a solemn man because he will be a dead one. The pun shows his wit outlasting his body, making his death more shocking, not less.
O, I am fortune’s fool! (line 126)
Romeo realizes fate has made a plaything of him: in minutes he has avenged his friend, killed his wife's cousin, and wrecked his own future. The line crystallizes the play's tension between fate and choice — Romeo chose to fight Tybalt, yet feels like fortune's helpless victim.
Mercy but murders, pardoning those that kill. (line 190)
The Prince's closing paradox: showing mercy to killers only causes more killing, because unpunished violence invites revenge. It explains why he banishes Romeo rather than pardoning him, and marks the state finally cracking down on the feud — too late to stop the tragedy already in motion.

What happens in this scene

On a blazing afternoon, Benvolio wants everyone off the streets — the Capulets are out, and 'on hot days like these, the mad blood starts boiling.' Mercutio mocks him as the world's worst quarreler (a joke, since Benvolio is the play's peacemaker) just as Tybalt arrives hunting Romeo. Mercutio baits Tybalt over the word 'consort,' but Tybalt drops him the moment Romeo appears. Tybalt calls Romeo a villain to force a duel; Romeo — married to Tybalt's cousin Juliet an hour ago, though no one on stage knows it — refuses, answering that he loves the name Capulet 'as dear as my own.' Mercutio, hearing only 'calm, dishonorable, disgraceful surrender,' draws on Tybalt himself. As they fight, Romeo rushes between them, and Tybalt stabs Mercutio under Romeo's arm and flees.

Mercutio dies joking — the wound is 'not as deep as a well' but 'it'll do the job'; ask for him tomorrow and you'll find him 'a grave man' — and cursing: 'A plague on both your houses,' three times. Romeo, ashamed that Juliet's beauty has 'made me soft, and melted the steel of my courage,' meets the returning Tybalt with 'fire-eyed fury' and kills him, then stands stunned — 'Oh, I am fortune's fool!' — until Benvolio drives him off. The Prince arrives with both families; Benvolio recounts the whole sequence; Lady Capulet demands Romeo's death; Montague argues Romeo only did what the law would have done to Tybalt. The Prince — who has now lost his own kinsman Mercutio to the feud — banishes Romeo on pain of death, closing with the paradox that 'mercy only murders when it pardons those who kill.'

Why this scene matters

This is the play's pivot: everything before it could still be a comedy, and nothing after it can be. The Prince's death decree from 1.1 comes due here, and its commutation to banishment creates the entire second half — Mantua, the Friar's desperate potion scheme, the letter that doesn't arrive, the tomb. It's also the first bill for the secret marriage: Romeo's hidden loyalty is exactly what gets Mercutio killed, so the love story and the feud stop running in parallel and start destroying each other. And Mercutio's triple curse gives the rest of the play its shape — both houses will pay in children.

Key decisions and motivations

Romeo makes two opposite choices minutes apart, and the scene turns on both. First he refuses the duel for a reason he cannot reveal — a genuinely loving choice that reads, in the honor code everyone else lives by, as cowardice. That misreading is what makes Mercutio draw: he chooses to defend an insult Romeo won't defend, and it kills him. Then Romeo chooses revenge, explicitly banishing 'restraint and mercy' in favor of 'fire-eyed fury' — the honor code winning back the man who had just risen above it. Tybalt chooses to return to the scene of one killing and collect another. The Prince chooses exile over execution, splitting the difference between Lady Capulet's demand for blood and Montague's plea — mercy enough to keep Romeo alive, severity enough to doom the marriage.

Themes in this scene

The scene stages the collision between love and the masculine honor code: Romeo's marriage makes him refuse a duel, the refusal reads as dishonor, and Romeo himself accepts the code's verdict, blaming Juliet's beauty for making him 'soft.' Fate and choice tighten into a knot — Romeo freely chooses to fight, then instantly recasts himself as 'fortune's fool,' and the play lets both readings stand. Heat and haste do the pacing: Benvolio names the danger in the first speech, and the whole catastrophe takes minutes. And Mercutio's curse indicts the feud for what it now does — kill people who belong to neither house.

Common questions about this scene

Why does Romeo refuse to fight Tybalt, and why does that refusal cause the disaster?
Because Tybalt became his cousin by marriage an hour earlier — but the marriage is secret, so Romeo can only offer cryptic assurances of love that sound like weakness. In Verona's honor culture an unanswered insult ('thou art a villain') disgraces a man, so Mercutio steps in to fight the duel Romeo declined. The tragedy is engineered from good intentions: Romeo's peacemaking gets Mercutio killed, and his attempt to physically part them provides the opening for Tybalt's fatal thrust.
Who is to blame for Mercutio's death?
The play spreads the blame deliberately. Tybalt delivers the thrust; Mercutio picked the fight after baiting Tybalt for sport; Romeo's intervention created the opening — Mercutio says it to his face: 'I was stabbed under your arm.' Behind all three stands the feud itself, which is why Mercutio's dying words curse both houses rather than any one man.
Why does the Prince banish Romeo instead of executing him, as his own decree required?
Montague's argument lands: Romeo killed a man the law would have executed anyway for killing Mercutio. But the Prince isn't merciful out of softness — Mercutio was his kinsman, and his closing line, 'mercy only murders when it pardons those who kill,' says he believes leniency caused this bloodshed. Banishment is his compromise between justice and the decree, and it turns out to be the cruelest possible outcome for the lovers — as Romeo will insist in the next scene, worse than death.

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About this translation: the original text follows the public-domain Project Gutenberg Globe edition; the modern English translation was written in-house for Polytranslator and is reviewed on an ongoing basis (last revised August 2026). Free to print and photocopy for classroom use. Cite as: “Romeo and Juliet, Act 3, Scene 1. Polytranslator side-by-side translation, polytranslator.com/shakespeare/romeo-and-juliet/act-3-scene-1.”

Studying the language itself? Our Shakespearean English course teaches thou/thee, the verbs, and the meter — free through Unit 2. Or try the Shakespearean English translator.